Jeremy Kleiner

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Blonde | ShotOnWhat?

Producer - Produced By - P.g.a.

Blonde (2022)

Directed by: Andrew Dominik

Cinematography by: Chayse Irvin

Edited by: Adam Robinson

Cameras: ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses: ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

The Last Black Man in San Francisco | ShotOnWhat?

Producer

The Last Black Man in San Francisco (2019)

Directed by: Joe Talbot

Cinematography by: Adam Newport-Berra

Edited by: David Marks

Cameras: ARRI ALEXA Mini Camera

Ad Astra | ShotOnWhat?

Producer - P.g.a.

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Vice | ShotOnWhat?

Producer - Produced By - P.g.a.

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

If Beale Street Could Talk | ShotOnWhat?

Producer - Produced By - P.g.a.

If Beale Street Could Talk (2018)

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses

Brad's Status | ShotOnWhat?

Producer

Brad's Status (2017)

Directed by: Mike White

Cinematography by: Xavier Grobet

Edited by: Heather Persons

Cameras: ARRI ALEXA Series Cameras

Moonlight | ShotOnWhat?

Producer

Moonlight (2016)

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses

The Lost City of Z | ShotOnWhat?

Producer - Produced By - P.g.a.

The Lost City of Z (2016)

Directed by: James Gray

Cinematography by: Darius Khondji

Edited by: John Axelrad, Lee Haugen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux HR Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Flare Lenses, Panavision E Series Anamorphic Lenses

The Big Short | ShotOnWhat?

Producer - Produced By

The Big Short (2015)

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Selma | ShotOnWhat?

Producer

Selma (2014)

Directed by: Ava DuVernay

Cinematography by: Bradford Young

Edited by: Spencer Averick

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses

World War Z | ShotOnWhat?

Producer

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

12 Years a Slave | ShotOnWhat?

Producer

12 Years a Slave (2013)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Kick-Ass | ShotOnWhat?

Executive Producer

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Eat Pray Love | ShotOnWhat?

Executive Producer

Eat Pray Love (2010)

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

The Private Lives of Pippa Lee | ShotOnWhat?

Executive Producer

The Private Lives of Pippa Lee (2009)

Directed by: Rebecca Miller

Cinematography by: Declan Quinn

Edited by: Sabine Hoffman

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