Leitz Lenses | 84 Titles
The Theory of Everything (2014)
Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera
The Drop (2014)
Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Christopher Tellefsen
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Leitz Summilux-C Series Lenses
Birdman or (The Unexpected Virtue of Ignorance) (2014) 
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Annabelle (2014)
Gone Girl (2014)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter
Cameras | Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses
Fargo (2014)
| Cinematography by | Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd | Editing by | Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras | ARRI ALEXA Plus Camera
Horrible Bosses 2 (2014)
Directed by | Sean Anders | Cinematography by | Julio Macat | Editing by | Eric Kissack
Cameras | ARRI ALEXA XT Camera
Lenses | Leitz Summilux-C Series Lenses
Collision (2013)
Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses
Veronica Mars (2014)
Directed by | Rob Thomas | Cinematography by | Ben Kutchins | Editing by | Daniel Gabbe
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
About Last Night (2014)
Directed by | Steve Pink | Cinematography by | Michael Barrett | Editing by | Tracey Wadmore-Smith, Shelly Westerman
Cameras | Sony CineAlta F65 Camera
Lenses | Leitz Summilux-C Series Lenses
Transformers: Age of Extinction (2014)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Paul Rubell
Cameras | Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Enough Said (2013)
Directed by | Nicole Holofcener | Cinematography by | Xavier Grobet | Editing by | Robert Frazen
Cameras | ARRI ALEXA Studio Camera
Lenses | Leitz Summilux-C Series Lenses
Need for Speed (2014)
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
The Conjuring (2013)
Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
X-Men: Days of Future Past (2014)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Bones (2005)
| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
Dawn of the Planet of the Apes (2014)
Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas
Cameras | ARRI ALEXA M Camera
Iron Man Three (2013)
Directed by | Shane Black | Cinematography by | John Toll | Editing by | Peter S. Elliot, Jeffrey Ford
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
The Last Stand (2013)
Directed by | Jee-woon Kim | Cinematography by | Ji-yong Kim | Editing by | Steven Kemper
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
