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Leitz Lenses | 83 Titles

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The Legend of Tarzan (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark Day

Starring | Alexander Skarsgård, Rory J. Saper, Christian Stevens, Christoph Waltz

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)

Motion Picture | 3D | 4K Project | Black & White, Color | 1.90:1, 2.39:1 | 96 Minutes

Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt

Starring | Donnie Yen, Michelle Yeoh, Harry Shum Jr., Natasha Liu Bordizzo

Cameras | Red Epic Dragon Camera

Lenses | Leitz Summicron-C Series Lenses, Leitz Summilux-C Series Lenses

The Boss (2016)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert

Starring | Melissa McCarthy, Kristen Bell, Peter Dinklage, Ella Anderson

Cameras | ARRI ALEXA 65 Camera

Lenses | Leitz Summilux-C Series Lenses

X-Men: Apocalypse (2016)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 144 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult

Cameras | Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses

London Has Fallen (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Babak Najafi | Cinematography by | Ed Wild | Editing by | Michael J. Duthie, Paul Martin Smith

Starring | Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

The Wedding Ringer (2015)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong

Starring | Kevin Hart, Josh Gad, Kaley Cuoco, Affion Crockett

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Fathers and Daughters (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Gabriele Muccino | Cinematography by | Shane Hurlbut | Editing by | Alex Rodríguez

Starring | Russell Crowe, Amanda Seyfried, Aaron Paul, Diane Kruger

Cameras | Canon EOS-C500 Camera, Red Epic Camera

Lenses | Cooke 5/i Lenses, Cooke S4 Lenses, Leitz Summilux-C Series Lenses

Allegiant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy

Starring | Shailene Woodley, Theo James, Jeff Daniels, Naomi Watts

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Snowden (2016)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Oliver Stone | Cinematography by | Anthony Dod Mantle | Editing by | Alex Marquez, Lee Percy

Starring | Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Codex Action Cam

Lenses | Leitz Summicron-C Series Lenses

The Finest Hours (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 117 Minutes

Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel

Starring | Chris Pine, Casey Affleck, Ben Foster, Eric Bana

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Brooklyn (2015)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | John Crowley | Cinematography by | Yves Bélanger | Editing by | Jake Roberts

Starring | Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent

Cameras | ARRI ALEXA XT Camera

Lenses | Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Kickstart Theft (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 7 Minutes

Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe

Starring | Kimani Shillingford, Samuel Caruana, Mickaëlle X. Bizet, Frankie Ray

Cameras | Sony CineAlta F65 Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens

The Book Thief (2013)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson

Starring | Sophie Nélisse, Geoffrey Rush, Emily Watson, Ben Schnetzer

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Get Hard (2015)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale

Starring | Will Ferrell, Kevin Hart, Alison Brie, T.I.

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Saint Laurent (2014)

Motion Picture | 2D | Color | 1.85:1 | 150 Minutes

Directed by | Bertrand Bonello | Cinematography by | Josée Deshaies | Editing by | Stéphane Garnier, Fabrice Rouaud

Starring | Gaspard Ulliel, Jérémie Renier, Louis Garrel, Léa Seydoux

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Summilux-C Series Lenses

The Chef’s Wife (2014)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Anne Le Ny | Cinematography by | Jérôme Alméras | Editing by | Guerric Catala

Starring | Karin Viard, Emmanuelle Devos, Roschdy Zem, Philippe Rebbot

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Avant que de tout perdre (2013)

Short Film | 2D | Color | 2.35:1 | 29 Minutes

Directed by | Xavier Legrand | Cinematography by | Nathalie Durand | Editing by | Yorgos Lamprinos

Starring | Léa Drucker, Anne Benoît, Miljan Châtelain, Mathilde Auneveux

Cameras | ARRI ALEXA Camera

Lenses | Leitz Summilux-C Series Lenses

Dumb and Dumber To (2014)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch

Starring | Jim Carrey, Jeff Daniels, Rob Riggle, Laurie Holden

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Jamais de la vie (2015)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Pierre Jolivet | Cinematography by | Jérôme Alméras | Editing by | Yves Deschamps

Starring | Olivier Gourmet, Valérie Bonneton, Marc Zinga, Thierry Hancisse

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses

The Theory of Everything (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey

Starring | Eddie Redmayne, Felicity Jones, Tom Prior, Sophie Perry

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

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