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Grand Canyon (1991)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton

Starring | Danny Glover, Kevin Kline, Steve Martin, Mary McDonnell

Cameras | Panavision Panaflex Gold Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Tsotsi (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 94 Minutes

Directed by | Gavin Hood | Cinematography by | Lance Gewer | Editing by | Megan Gill

Starring | Presley Chweneyagae, Mothusi Magano, Israel Matseke-Zulu, Terry Pheto

Cameras | Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Variable Prime Lenses

28 Days Later… (2002)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

28 Days Later… | ShotOnWhat?

Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Chris Gill

Starring | Cillian Murphy, Naomie Harris, Christopher Eccleston, Alex Palmer

Cameras | ARRI Cameras, Canon XL1 Camera

Lenses | Canon EC Series Lenses, Canon EJ Series Lenses

National Treasure (2004)

Motion Picture | 2D | Color | 2.39:1 | 131 Minutes

Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg

Starring | Nicolas Cage, Diane Kruger, Justin Bartha, Sean Bean

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

Rättskiparen (2010)

Documentary | 2D | Color | 1.78:1 (16x9) | 29 Minutes

Directed by | Mattias Löw | Cinematography by | Orvar Anklew, Mattias Löw | Editing by | Orvar Anklew

Starring | Janne Andersson, Sepp Blatter, Birgit Hansson, Martin Hansson

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-5D Mark III Camera

Hell and Back Again (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 88 Minutes

Directed by | Danfung Dennis | Cinematography by | Danfung Dennis | Editing by | Fiona Otway

Starring | Nathan Harris, Ashley Harris, The Marines of Echo Company, Christian Cabaniss

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 35mm f1.4L Lens, Canon FD 50 mm f1.4 SSC Lens

The Constant Gardener (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson

Starring | Ralph Fiennes, Rachel Weisz, Danny Huston, Hubert Koundé

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux HR Zoom Lenses

La Vida Loca: Based on a True Story (2012)

Short Film | 2D | HD Project | Color | 2.39:1 | 28 Minutes

Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava

Starring | Erick Montaño, Daniel Rangel-Diaz, Olivia Loza, Miriam Gomez

Cameras | Canon EOS Rebel T3i camera

Lenses | Canon Lenses

Thirteen (2003)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson

Starring | Evan Rachel Wood, Holly Hunter, Nikki Reed, Vanessa Hudgens

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses

Dreamer: Inspired by a True Story (2005)

Motion Picture | Color | 2.35:1 | 106 Minutes

Dreamer: Inspired by a True Story | ShotOnWhat?

Directed by | John Gatins | Cinematography by | Fred Murphy | Editing by | David Rosenbloom

Starring | Kurt Russell, Dakota Fanning, Oded Fehr, Kris Kristofferson

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Reservoir Dogs (1992)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke

Starring | Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

Dead Presidents (1995)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental

Starring | Larenz Tate, Keith David, Chris Tucker, Freddy Rodríguez

Cameras | Panavision Panaflex Gold II Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

The Adjustment Bureau (2011)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz

Starring | Matt Damon, Emily Blunt, Lisa Thoreson, Florence Kastriner

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Blindness (2008)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Blindness | ShotOnWhat?

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Julianne Moore, Mark Ruffalo, Gael García Bernal, Yûsuke Iseya

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera

Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

American Gun (2005)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

American Gun | ShotOnWhat?

Directed by | Aric Avelino | Cinematography by | Nancy Schreiber | Editing by | Richard Nord

Starring | Marcia Gay Harden, Forest Whitaker, Donald Sutherland, Linda Cardellini

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses

Waiting for Guffman (1996)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Waiting for Guffman | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Andy Blumenthal

Starring | Christopher Guest, Fred Willard, Catherine O'Hara, Parker Posey

Cameras | Aaton Cameras, Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II Lenses

The Core (2003)

Motion Picture | 2D | Color | 2.39:1 | 135 Minutes

The Core | ShotOnWhat?

Directed by | Jon Amiel | Cinematography by | John Lindley | Editing by | Terry Rawlings

Starring | Aaron Eckhart, Hilary Swank, Delroy Lindo, Bruce Greenwood

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Problem of Evil (2013)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Directed by | Ethan Kogan, Jessica Silvetti | Cinematography by | Ethan Kogan, Jessica Silvetti | Editing by | Ethan Kogan

Starring | Pierre Adeli, Daniel Berson, Jeffy Branion, Hannah Chodos

Cameras | Canon EOS 550D Camera

Lenses | Canon EF 85 mm f1.4 Lens, Canon EF Series Lenses

The Avengers (2012)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek

Starring | Robert Downey Jr., Chris Evans, Scarlett Johansson, Jeremy Renner

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Panavision Frazier Lenses, Panavision Lenses

The Counterfeiters (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 99 Minutes

Directed by | Stefan Ruzowitzky | Cinematography by | Benedict Neuenfels | Editing by | Britta Nahler

Starring | Karl Markovics, August Diehl, Devid Striesow, Martin Brambach

Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, Moviecam Superlight Camera

Lenses | Canon Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

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