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Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Wendy and Lucy (2008)

Motion Picture | 2D | Color | 1.85:1 | 80 Minutes

Wendy and Lucy | ShotOnWhat?

Directed by | Kelly Reichardt | Cinematography by | Sam Levy | Editing by | Kelly Reichardt

Starring | Michelle Williams, Lucy, David Koppell, Max Clement

Cameras | ARRIFLEX 16SR3 Camera

Sick Boy (2012)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Sick Boy | ShotOnWhat?

Directed by | Tim T. Cunningham | Cinematography by | Sean C. Cunningham

Starring | Skye McCole Bartusiak, Marc Donato, Debbie Rochon, Cas Rooney

Cameras | Canon EOS-7D Camera

Necrosis (2009)

Motion Picture | 2D | Color | 90 Minutes

Necrosis | ShotOnWhat?

Directed by | Jason Robert Stephens | Cinematography by | Deanna Esmaeel | Editing by | Joshua Chamberlain

Starring | James Kyson, George Stults, Tiffany, Penny Vital

Cameras | Panasonic AJ-HDC27 Varicam Camera

Best in Show (2000)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Fred Willard, Eugene Levy, Catherine O'Hara, Jennifer Coolidge

Cameras | Aaton Cameras

Lenses | Canon Lenses, Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Hameno Koritsi (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 34 Minutes

Hameno Koritsi | ShotOnWhat?

Directed by | Nikos Pastras | Cinematography by | Yannis Kanakis | Editing by | Angelos Frantzis, Nikos Pastras

Starring | Katia Goulioni, Kora Karvouni, Maria Eglezaki, Athina Kotsianouli

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon Lenses

Con Air (1997)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Starring | Nicolas Cage, John Cusack, John Malkovich, Colm Meaney

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Rush Hour 3 (2007)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

Rush Hour 3 | ShotOnWhat?

Directed by | Brett Ratner | Cinematography by | James M. Muro | Editing by | Mark Helfrich, Dean Zimmerman, Don Zimmerman

Starring | Jackie Chan, Chris Tucker, Max von Sydow, Hiroyuki Sanada

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Illusionist (2006)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Neil Burger | Cinematography by | Dick Pope | Editing by | Naomi Geraghty

Starring | Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

The Bourne Legacy (2012)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

The Bourne Legacy | ShotOnWhat?

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jeremy Renner, Rachel Weisz, Edward Norton, Scott Glenn

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Nobody Knows (2004)

Motion Picture | 2D | Color | 141 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Yutaka Yamazaki | Editing by | Hirokazu Koreeda

Starring | Yûya Yagira, Ayu Kitaura, Hiei Kimura, Momoko Shimizu

Cameras | Aaton XTR Prod Camera

ParaNorman (2012)

Motion Picture | 3D | Color | 2.39:1 | 92 Minutes

Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie

Starring | Kodi Smit-McPhee, Anna Kendrick, Christopher Mintz-Plasse, Tucker Albrizzi

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses

Hearat Shulayim (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin

Starring | Shlomo Bar-Aba, Lior Ashkenazi, Aliza Rosen, Alma Zack

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses | Canon Lenses, Cine Magic Cinewand Lenses, Zeiss Ultra Prime Lenses

The Loss of Sexual Innocence (1999)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 106 Minutes

The Loss of Sexual Innocence | ShotOnWhat?

Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood

Starring | Julian Sands, Saffron Burrows, Stefano Dionisi, Kelly Macdonald

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Harry Potter and the Goblet of Fire (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 157 Minutes

Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Eric Sykes

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Além de Ti (2013)

Motion Picture | 2D | Color, Color | 2.39:1 | 92 Minutes

Além de Ti | ShotOnWhat?

Directed by | João Marco | Cinematography by | João Marco | Editing by | João Marco

Starring | Mário Spencer, Joana Costa, Sofia Reis, Joao Machado

Cameras | Canon EOS 550D Camera

Lenses | Canon Lenses

Black Swan (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder

Cameras | ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Zeiss Ultra 16 Lenses

Cinderella Man (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 144 Minutes

Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Renée Zellweger, Craig Bierko, Paul Giamatti

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Arn: Tempelriddaren (2007)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen

Starring | Joakim Nätterqvist, Sofia Helin, Stellan Skarsgård, Michael Nyqvist

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Hard Boiled Sweets (2012)

Motion Picture | 2D | Color | 2.35:1 | 84 Minutes

Directed by | David L.G. Hughes | Cinematography by | Sara Deane | Editing by | Lloyd George

Starring | Philip Barantini, Elizabeth Berrington, Adrian Bower, Liz May Brice

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon L Series Lenses

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