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35mm Film Negative Width | 2711 Titles

35mm Film Negative Width 3.67/5 6 Votes

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Yi jiu si er (2012)

Motion Picture | 2D | Color | 2.39:1 | 145 Minutes

Directed by | Xiaogang Feng | Cinematography by | Yue Lü

Starring | Guoli Zhang, Hanyu Zhang, Wei Fan, Yuanzheng Feng

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Sivaji (2007)

Motion Picture | 2D | Color | 2.39:1 | 188 Minutes

Sivaji | ShotOnWhat?

Directed by | S. Shankar | Cinematography by | K.V. Anand | Editing by | Anthony

Starring | Rajinikanth, Shriya Saran, Suman, Vivek

Cameras | ARRIFLEX 435 Camera

A Good Day to Die Hard (2013)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

A Good Day to Die Hard | ShotOnWhat?

Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman

Starring | Bruce Willis, Jai Courtney, Sebastian Koch, Mary Elizabeth Winstead

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

G.I. Joe: Retaliation (2013)

Motion Picture | 3D | Color | 2.39:1 | 110 Minutes

Directed by | Jon M. Chu | Cinematography by | Stephen F. Windon | Editing by | Roger Barton, Jim May

Starring | Dwayne Johnson, Channing Tatum, Adrianne Palicki, Byung-Hun Lee

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Lone Ranger (2013)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood

Starring | Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson

Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Furious 6 (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Starring | Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Man of Steel (2013)

Motion Picture | 3D | Color | 2.39:1 | 143 Minutes

Man of Steel | ShotOnWhat?

Directed by | Zack Snyder | Cinematography by | Amir Mokri | Editing by | David Brenner

Starring | Henry Cavill, Amy Adams, Michael Shannon, Diane Lane

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Star Trek Into Darkness (2013)

Motion Picture | 3D | Color | 1.44:1, 2.39:1 | 132 Minutes

Star Trek Into Darkness | ShotOnWhat?

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey

Starring | Chris Pine, Zachary Quinto, Zoe Saldaña, Benedict Cumberbatch

Cameras | ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Hunger Games: Catching Fire (2013)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 146 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Philip Seymour Hoffman

Cameras | ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Curfew (2012)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Evan Henke

Starring | Shawn Christensen, Fatima Ptacek, Kim Allen, Dana Segal

Cameras | Red One Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

House M.D. (2004)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

House M.D. | ShotOnWhat?

A Royal Affair (2012)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Nikolaj Arcel | Cinematography by | Rasmus Videbæk | Editing by | Kasper Leick, Mikkel E.G. Nielsen

Starring | Alicia Vikander, Mads Mikkelsen, Mikkel Boe Følsgaard, Trine Dyrholm

Cameras | ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Impossible (2012)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Elena Ruiz, Bernat Vilaplana

Starring | Naomi Watts, Ewan McGregor, Tom Holland, Oaklee Pendergast

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Phantom HD Camera

Lenses | Zeiss Master Prime Lenses

RoboCop (1987)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

RoboCop | ShotOnWhat?

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste

Starring | Peter Weller, Nancy Allen, Dan O'Herlihy, Ronny Cox

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Silver Linings Playbook (2012)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | David O. Russell | Cinematography by | Masanobu Takayanagi | Editing by | Jay Cassidy, Crispin Struthers

Starring | Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Les Misérables (2012)

Motion Picture | 2D | Color | 1.85:1 | 158 Minutes

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver

Starring | Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Bullet to the Head (2012)

Motion Picture | 2D | Color, Black and White | 1.85:1 | 92 Minutes

Bullet to the Head | ShotOnWhat?

Directed by | Walter Hill | Cinematography by | Lloyd Ahern II | Editing by | Timothy Alverson

Starring | Sylvester Stallone, Jason Momoa, Christian Slater, Sung Kang

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Austenland (2013)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Austenland | ShotOnWhat?

Directed by | Jerusha Hess | Cinematography by | Larry Smith | Editing by | Nick Fenton

Starring | Keri Russell, JJ Feild, Jennifer Coolidge, Bret McKenzie

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

Houston (2013)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Houston | ShotOnWhat?

Directed by | Bastian Günther | Cinematography by | Michael Kotschi | Editing by | Anne Fabini

Starring | Ulrich Tukur, Garret Dillahunt, Jenny Schily, Wolfram Koch

Cameras | ARRI Cameras, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Fool’s Gold (2008)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

Fool’s Gold | ShotOnWhat?

Directed by | Andy Tennant | Cinematography by | Don Burgess | Editing by | Troy Takaki, Tracey Wadmore-Smith

Starring | Matthew McConaughey, Kate Hudson, Donald Sutherland, Alexis Dziena

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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