35mm Film Negative Width | 2711 Titles
The Incredible Burt Wonderstone (2013)
Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Pursuit of Happiness (2001)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian
Cameras | ARRIFLEX 35 Camera
Lenses | Angenieux Lenses, Cooke Lenses
Olympus Has Fallen (2013)
The Party (1968)
Directed by | Blake Edwards | Cinematography by | Lucien Ballard | Editing by | Ralph E. Winters
Cameras | Panavision Cameras
The Mentalist (2008)
| Cinematography by | Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe | Editing by | Christopher Cibelli, David Ekstrom, Glenn Farr, James Gadd, Joseph Butler, Anthony J. Rivard, Paul Karasick
Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Mortal Instruments: City of Bones (2013)
Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody
RED 2 (2013)
Directed by | Dean Parisot | Cinematography by | Enrique Chediak | Editing by | Don Zimmerman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Hawk V-Lite Lenses
Percy Jackson: Sea of Monsters (2013)
Now You See Me (2013)
Directed by | Louis Leterrier | Cinematography by | Mitchell Amundsen, Larry Fong | Editing by | Robert Leighton, Vincent Tabaillon
Pain & Gain (2013)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron
Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Upside Down (2012)
Directed by | Juan Solanas | Cinematography by | Pierre Gill | Editing by | Paul Jutras
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Plan 9 (2015)
Directed by | John Johnson | Cinematography by | B. Sweeney | Editing by | John Johnson, Neil Wagner
Cameras | Aaton 35-III Camera, Sony PMW-F3 Camera
Lenses | Zeiss Lenses
Stay (2005)
Directed by | David Brind | Cinematography by | Kenneth Wilson II
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses
Stoker (2013)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Nicolas De Toth
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera
Liquid Bridge (2003)
Directed by | Phillip Avalon | Cinematography by | Roger Buckingham | Editing by | David Stiven
Lenses | Cooke Lenses, Zeiss Lenses
Harold & Kumar Go to White Castle (2004)
Directed by | Danny Leiner | Cinematography by | Bruce Douglas Johnson | Editing by | Jeff Betancourt
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Warm Bodies (2013)
Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson
Sound of Noise (2010)
Directed by | Ola Simonsson, Johannes Stjärne Nilsson | Cinematography by | Charlotta Tengroth | Editing by | Andreas Jonsson, Ola Simonsson, Johannes Stjärne Nilsson, Stefan Sundlöf
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses
Norbit (2007)
Directed by | Brian Robbins | Cinematography by | Clark Mathis | Editing by | Ned Bastille
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Blades of Glory (2007)
Directed by | Josh Gordon, Will Speck | Cinematography by | Stefan Czapsky | Editing by | Richard Pearson
