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35mm Film Negative Width | 2711 Titles

35mm Film Negative Width 3.67/5 6 Votes

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Vice (2018)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin

Starring | Christian Bale, Amy Adams, Steve Carell, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

The Long Way Home (1997)

Documentary | 2D | Black & White, Color | 1.85:1 | 120 Minutes

Directed by | Mark Jonathan Harris | Cinematography by | Don Lenzer | Editing by | Kate Amend

Starring | Morgan Freeman, Israel Lau, Livia Shacter, Abraham Klausner

JFK (1991)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 189 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia

Starring | Kevin Costner, Gary Oldman, Jack Lemmon, Walter Matthau

Cameras | ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses | Panavision E35 35 mm T2.0 Lens

Superman (1978)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 143 Minutes

Directed by | Richard Donner | Cinematography by | Geoffrey Unsworth | Editing by | Stuart Baird, Michael Ellis

Starring | Christopher Reeve, Margot Kidder, Gene Hackman, Marlon Brando

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision C Series Anamorphic Lenses

Cloud Atlas (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 172 Minutes

Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch

Starring | Tom Hanks, Halle Berry, Hugh Grant, Hugo Weaving

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Thor (2011)

Motion Picture | 3D | Color | 2.35:1 | 115 Minutes

Thor | ShotOnWhat?

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell

Starring | Chris Hemsworth, Anthony Hopkins, Natalie Portman, Tom Hiddleston

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Out of Sight (1998)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Steven Soderbergh | Cinematography by | Elliot Davis | Editing by | Anne V. Coates

Starring | George Clooney, Jennifer Lopez, Ving Rhames, Steve Zahn

Bambi (1942)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 70 Minutes

Directed by | James Algar, Samuel Armstrong, David Hand, Graham Heid, Bill Roberts, Paul Satterfield, Norman Wright, Arthur Davis, Clyde Geronimi | Editing by | Thomas Scott

Starring | Hardie Albright, Stan Alexander, Bobette Audrey, Peter Behn

Cameras | Bell & Howell 2709 Camera

Pinocchio (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 88 Minutes

Directed by | Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Hamilton Luske, Bill Roberts, Ben Sharpsteen

Starring | Dickie Jones, Christian Rub, Jack Bailey, Mel Blanc

Cameras | Bell & Howell 2709 Camera

Spider-Man 3 (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 139 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The People vs. Larry Flynt (1996)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen

Starring | Woody Harrelson, Courtney Love, Edward Norton, Brett Harrelson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Fantasia (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen | Cinematography by | James Wong Howe

Starring | Leopold Stokowski, Deems Taylor, Corey Burton, Walt Disney

Cameras | Bell & Howell 2709 Camera

The Window (2008)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid

Starring | Antonio Larreta, María del Carmen Jiménez, Emilse Roldán, Roberto Rovira

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

Beyond the Black Rainbow (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard

Starring | Eva Bourne, Michael J Rogers, Scott Hylands, Rondel Reynoldson

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Chronicle of an Escape (2006)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce

Starring | Rodrigo De la Serna, Pablo Echarri, Nazareno Casero, Lautaro Delgado

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

Afterglow (1997)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Alan Rudolph | Cinematography by | Toyomichi Kurita | Editing by | Suzy Elmiger

Starring | Nick Nolte, Julie Christie, Lara Flynn Boyle, Jonny Lee Miller

Cameras | ARRIFLEX Camera

The Curious Case of Benjamin Button (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 166 Minutes

Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall

Starring | Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

The Expendables (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Lolita (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 137 Minutes

Directed by | Adrian Lyne | Cinematography by | Howard Atherton | Editing by | David Brenner, Julie Monroe

Starring | Jeremy Irons, Dominique Swain, Melanie Griffith, Frank Langella

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

End of Days (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper

Starring | Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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