Kodak Vision 250D 5246/7246 Neg. Film | 96 Titles
Introduced: 1997 Discontinued: 2005
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Himalaya (1999)
Directed by | Eric Valli, Michel Debats | Cinematography by | Éric Guichard, Jean-Paul Meurisse | Editing by | Marie-Josèphe Yoyotte
A Simple Plan (1998)
Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn
Cameras | Panavision Panaflex Platinum Camera
Tuck Everlasting (2002)
Directed by | Jay Russell | Cinematography by | James L. Carter | Editing by | Jay Cassidy
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Manda Bala (Send a Bullet) (2007)
Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses
Tears of the Sun (2003)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV, Christopher Holmes
Cameras | Panavision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Pan Tadeusz (1999)
Directed by | Andrzej Wajda | Cinematography by | Pawel Edelman | Editing by | Wanda Zeman
Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Hidalgo (2004)
Zelary (2003)
Where the Truth Lies (2005)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Lung joi gong woo (1998)
Directed by | Jing Wong | Cinematography by | Siu-Keung Cheng | Editing by | Marco Mak
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
Artworks (2003)
Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Lenses | Cooke Lenses
Troy (2004)
Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess
Lenses | Cooke S4 Lenses
Downfall (2004)
Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck
Lenses | Zeiss Ultra Prime Lenses
Girl, Interrupted (1999)
Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
Les acteurs (2000)
Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Claudine Merlin
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
