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Technicolor | 826 Titles

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Blindspotting (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 95 Minutes

Directed by | Carlos López Estrada | Cinematography by | Robby Baumgartner | Editing by | Gabriel Fleming

Starring | Daveed Diggs, Rafael Casal, Janina Gavankar

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Bad Times at the El Royale (2018)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Drew Goddard | Cinematography by | Seamus McGarvey | Editing by | Lisa Lassek

Starring | Jeff Bridges, Cynthia Erivo, Dakota Johnson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Fiddler on the Roof (1971)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 181 Minutes

Directed by | Norman Jewison | Cinematography by | Oswald Morris | Editing by | Antony Gibbs, Robert Lawrence

Starring | Topol, Norma Crane, Leonard Frey, Molly Picon

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision C Series Anamorphic Lenses

Thor: Ragnarok (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Taika Waititi | Cinematography by | Javier Aguirresarobe | Editing by | Zene Baker, Joel Negron

Starring | Chris Hemsworth, Tom Hiddleston, Cate Blanchett

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Reds (1981)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 195 Minutes

Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Dede Allen, Craig McKay

Starring | Warren Beatty, Diane Keaton, Edward Herrmann, Jerzy Kosinski

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Leave Her to Heaven (1945)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 110 Minutes

Directed by | John M. Stahl | Cinematography by | Leon Shamroy | Editing by | James B. Clark

Starring | Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price

Cameras | Technicolor 3-Strip Camera

The Box (2009)

Movie | 2D | Color | 2.35:1 | 115 Minutes

The Box | ShotOnWhat?

Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer

Starring | Cameron Diaz, James Marsden, Frank Langella, James Rebhorn

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

The Thief of Bagdad (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 106 Minutes

Directed by | Ludwig Berger, Michael Powell, Tim Whelan, Alexander Korda, Zoltan Korda, William Cameron Menzies | Editing by | Charles Crichton

Starring | Conrad Veidt, Sabu, June Duprez

Cameras | Technicolor 3-Strip Camera

Cabaret (1972)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Bob Fosse | Cinematography by | Geoffrey Unsworth | Editing by | David Bretherton

Starring | Liza Minnelli, Michael York, Helmut Griem, Joel Grey

The Meg (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Jon Turteltaub | Cinematography by | Tom Stern | Editing by | Steven Kemper, Kelly Matsumoto

Starring | Jason Statham, Bingbing Li, Rainn Wilson

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Paddington 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Jonathan Amos, Mark Everson

Starring | Ben Whishaw, Hugh Grant, Hugh Bonneville

Cameras | ARRI ALEXA Series Cameras

Overboard (2018)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall

Starring | Eugenio Derbez, Anna Faris, Eva Longoria

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

The Quiet Man (1952)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray

Starring | John Wayne, Maureen O'Hara, Barry Fitzgerald, Ward Bond

Cameras | Mitchell Cameras

The Graduate (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 106 Minutes

Directed by | Mike Nichols | Cinematography by | Robert Surtees | Editing by | Sam O'Steen

Starring | Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels

Cameras | ARRIFLEX 35 IIC Camera, Panavision Silent Reflex PSR Camera

Lenses | Angenieux Lenses, Panavision B Series Anamorphic Lenses

Us (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jordan Peele | Cinematography by | Mike Gioulakis | Editing by | Nicholas Monsour

Starring | Lupita Nyong'o, Winston Duke, Elisabeth Moss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

The Black Swan (1942)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 87 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean

Starring | Tyrone Power, Maureen O'Hara, Laird Cregar

Cameras | Technicolor Cameras

The Towering Inferno (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 165 Minutes

Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress

Starring | Paul Newman, Steve McQueen, William Holden, Faye Dunaway

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Bonnie and Clyde (1967)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 111 Minutes

Directed by | Arthur Penn | Cinematography by | Burnett Guffey | Editing by | Dede Allen

Starring | Warren Beatty, Faye Dunaway, Michael J. Pollard

Cameras | Mitchell BNCR Camera

Black Narcissus (1947)

Motion Picture | 2D | Color | 1.37:1 | 101 Minutes

Directed by | Michael Powell, Emeric Pressburger | Cinematography by | Jack Cardiff | Editing by | Reginald Mills

Starring | Deborah Kerr, David Farrar, Flora Robson

Cameras | Technicolor 3-Strip Camera

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