Technicolor, Hollywood | 347 Titles
Conan the Barbarian (1982)
Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
Youth in Revolt (2009)
Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin
Cameras | Phantom HD Camera, Sony CineAlta F35 Camera
A Far Off Place (1993)
Directed by | Mikael Salomon | Cinematography by | Juan Ruiz Anchía | Editing by | Ray Lovejoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Michael Clayton (2007)
The Breakfast Club (1985)
Directed by | John Hughes | Cinematography by | Thomas Del Ruth | Editing by | Dede Allen
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Friday the 13th (2009)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
Crimson Tide (1995)
Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
Anything Else (2003)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Cameras | Panavision Panaflex Millennium Camera
The Big Lebowski (1998)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
The Mask of Zorro (1998)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble
Lenses | Cooke Lenses
Absolute Power (1997)
The Last Samurai (2003)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Coming to America (1988)
Directed by | John Landis | Cinematography by | Woody Omens | Editing by | Malcolm Campbell, George Folsey Jr.
Cameras | Panavision Panaflex Gold Camera
TRON (1982)
Directed by | Steven Lisberger | Cinematography by | Bruce Logan | Editing by | Jeff Gourson
Lenses | Panavision Lenses
Space Cowboys (2000)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | Panavision Cameras
Lenses | Panavision Lenses
In the Valley of Elah (2007)
Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
The Hangover (2009)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Drag Me to Hell (2009)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
Speed Racer (2008)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | David Tattersall | Editing by | Roger Barton, Zach Staenberg
Lenses | Zeiss DigiPrime Lenses
Gangs of New York (2002)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
