EFILM | 157 Titles
Gulliver’s Travels (2010)
Directed by | Rob Letterman | Cinematography by | David Tattersall | Editing by | Alan Edward Bell, Nicolas De Toth, Dean Zimmerman
Cameras | Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
A Lot Like Love (2005)
Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Alamo (2004)
Directed by | John Lee Hancock | Cinematography by | Dean Semler | Editing by | Eric L. Beason
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Eat Pray Love (2010)
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
The Village (2004)
Directed by | M. Night Shyamalan | Cinematography by | Roger Deakins | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
Cowboys & Aliens (2011)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Jim May
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A History of Violence (2005)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Cameras | Panavision Cameras
Lenses | Panavision Lenses
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill
Duplicity (2009)
Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | Panavision Panaflex Platinum Camera
Casa de mi Padre (2012)
Directed by | Matt Piedmont | Cinematography by | Ramsey Nickell | Editing by | David Trachtenberg
Cameras | Panavision Panaflex Gold II Camera
Living Hell (2008)
Directed by | Richard Jefferies | Cinematography by | Eric Leach | Editing by | Russell Denove
Cameras | Panavision Cameras
Ghost Rider (2007)
Directed by | Mark Steven Johnson | Cinematography by | Russell Boyd | Editing by | Richard Francis-Bruce
Cameras | Panavision Cameras
What Happens in Vegas (2008)
Directed by | Tom Vaughan | Cinematography by | Matthew F. Leonetti | Editing by | Matt Friedman
Cameras | Panavision Cameras
The Great Debaters (2007)
Directed by | Denzel Washington | Cinematography by | Philippe Rousselot | Editing by | John Breinholt, Hughes Winborne
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Core (2003)
Directed by | Jon Amiel | Cinematography by | John Lindley | Editing by | Terry Rawlings
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Sky Captain and the World of Tomorrow (2004)
Directed by | Kerry Conran | Cinematography by | Eric Adkins | Editing by | Sabrina Plisco
Cameras | Sony HDW-F900 Camera
