EFILM | 157 Titles
Get Low (2009)
Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Aaron Schneider
Cameras | Panavision Panaflex Gold II Camera
Down with Love (2003)
Directed by | Peyton Reed | Cinematography by | Jeff Cronenweth | Editing by | Larry Bock
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Finding Neverland (2004)
Jumper (2008)
Directed by | Doug Liman | Cinematography by | Barry Peterson | Editing by | Saar Klein, Dean Zimmerman, Don Zimmerman
Cameras | Panavision Cameras, Red One Camera
Yes Man (2008)
Directed by | Peyton Reed | Cinematography by | Robert D. Yeoman | Editing by | Craig Alpert
Cameras | Panavision Cameras
The Last Airbender (2010)
I Am Legend (2007)
Directed by | Francis Lawrence | Cinematography by | Andrew Lesnie | Editing by | Wayne Wahrman
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses
Killers (2010)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Richard Francis-Bruce, Mary Jo Markey
Cameras | ARRIFLEX D-21 Camera
Lenses | Hawk V-Series Lenses
Spy Kids 2: Island of Lost Dreams (2002)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Date Night (2010)
Directed by | Shawn Levy | Cinematography by | Dean Semler | Editing by | Dean Zimmerman
Cameras | Panavision Genesis Camera
Inglourious Basterds (2009)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Lenses | Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Predators (2010)
Directed by | Nimród Antal | Cinematography by | Gyula Pados | Editing by | Dan Zimmerman
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Whip It (2009)
State of Play (2009)
Directed by | Kevin Macdonald | Cinematography by | Rodrigo Prieto | Editing by | Justine Wright
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Sex and the City 2 (2010)
Directed by | Michael Patrick King | Cinematography by | John Thomas | Editing by | Michael Berenbaum
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Perks of Being a Wallflower (2012)
A Series of Unfortunate Events (2004)
Directed by | Brad Silberling | Cinematography by | Emmanuel Lubezki | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
The Brave One (2007)
Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Tony Lawson
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
To the Wonder (2012)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa
Lenses | Zeiss Master Prime Lenses
The Life Aquatic with Steve Zissou (2004)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | David Moritz
Lenses | Panavision Primo Anamorphic Lenses