EFILM | 157 Titles
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Thank You for Smoking (2005)
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
The Day the Earth Stood Still (2008)
Directed by | Scott Derrickson | Cinematography by | David Tattersall | Editing by | Wayne Wahrman
Cameras | Panavision Cameras
Get Smart (2008)
Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson
Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Mr. Popper’s Penguins (2011)
Directed by | Mark Waters | Cinematography by | Florian Ballhaus | Editing by | Bruce Green
Cameras | ARRI ALEXA Camera
Little Children (2006)
Burn After Reading (2008)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera
A Dangerous Method (2011)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Lenses | Cooke S4 Lenses
The Rite (2011)
In the Valley of Elah (2007)
Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Machete (2010)
Directed by | Ethan Maniquis, Robert Rodriguez | Cinematography by | Jimmy Lindsey | Editing by | Rebecca Rodriguez, Robert Rodriguez
Cameras | Panavision Genesis Camera
17 Again (2009)
Directed by | Burr Steers | Cinematography by | Tim Suhrstedt | Editing by | Padraic McKinley
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
I Now Pronounce You Chuck & Larry (2007)
Directed by | Dennis Dugan | Cinematography by | Dean Semler | Editing by | Jeff Gourson
Cameras | Panavision Genesis Camera
Hairspray (2007)
Directed by | Adam Shankman | Cinematography by | Bojan Bazelli | Editing by | Michael Tronick
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses
Couples Retreat (2009)
Directed by | Peter Billingsley | Cinematography by | Eric Alan Edwards | Editing by | Dan Lebental
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Charlie St. Cloud (2010)
Directed by | Burr Steers | Cinematography by | Enrique Chediak | Editing by | Padraic McKinley
Lenses | Hawk V-Series Lenses