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EFILM | 157 Titles

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RED 2 (2013)

Motion Picture | 3D | Color | 2.39:1 | 116 Minutes

RED 2 | ShotOnWhat?

Directed by | Dean Parisot | Cinematography by | Enrique Chediak | Editing by | Don Zimmerman

Starring | Bruce Willis, Helen Mirren, John Malkovich, Anthony Hopkins

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Hawk V-Lite Lenses

Percy Jackson: Sea of Monsters (2013)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Thor Freudenthal | Cinematography by | Shelly Johnson | Editing by | Mark Goldblatt

Starring | Logan Lerman, Alexandra Daddario, Brandon T. Jackson, Nathan Fillion

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Now You See Me (2013)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Now You See Me | ShotOnWhat?

Directed by | Louis Leterrier | Cinematography by | Mitchell Amundsen, Larry Fong | Editing by | Robert Leighton, Vincent Tabaillon

Starring | Jesse Eisenberg, Common, Mark Ruffalo, Woody Harrelson

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Epic (2013)

Motion Picture | 3D | Color | 2.35:1 | 102 Minutes

Directed by | Chris Wedge | Cinematography by | Renato Falcão | Editing by | Andy Keir

Starring | Amanda Seyfried, Josh Hutcherson, Beyoncé, Colin Farrell

Carrie (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Carrie | ShotOnWhat?

Directed by | Kimberly Peirce | Cinematography by | Steve Yedlin | Editing by | Lee Percy, Nancy Richardson

Starring | Chloë Grace Moretz, Julianne Moore, Gabriella Wilde, Portia Doubleday

Cameras | ARRI ALEXA Camera

The Host (2013)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

The Host | ShotOnWhat?

Directed by | Andrew Niccol | Cinematography by | Roberto Schaefer | Editing by | Thomas J. Nordberg

Starring | Saoirse Ronan, Max Irons, Jake Abel, Diane Kruger

Cameras | ARRI ALEXA Camera

Identity Thief (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Identity Thief | ShotOnWhat?

Directed by | Seth Gordon | Cinematography by | Javier Aguirresarobe | Editing by | Peter Teschner

Starring | Jason Bateman, Melissa McCarthy, John Cho, Amanda Peet

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Furious 6 (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Starring | Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Hunger Games: Catching Fire (2013)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 146 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Philip Seymour Hoffman

Cameras | ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Truth About Emanuel (2013)

Motion Picture | 2D | Color | 95 Minutes

The Truth About Emanuel | ShotOnWhat?

Directed by | Francesca Gregorini | Cinematography by | Polly Morgan | Editing by | Antony Langdon

Starring | Kaya Scodelario, Jessica Biel, Frances O'Connor, Aneurin Barnard

Cameras | ARRI ALEXA Camera

Arbitrage (2012)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Arbitrage | ShotOnWhat?

Directed by | Nicholas Jarecki | Cinematography by | Yorick Le Saux | Editing by | Douglas Crise

Starring | Richard Gere, Susan Sarandon, Brit Marling, Tim Roth

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Django Unchained (2012)

Motion Picture | 2D | Color | 2.39:1 | 165 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

For Colored Girls (2010)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

For Colored Girls | ShotOnWhat?

Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy

Starring | Janet Jackson, Anika Noni Rose, Whoopi Goldberg, Kimberly Elise

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses

Tooth Fairy (2010)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Tooth Fairy | ShotOnWhat?

Directed by | Michael Lembeck | Cinematography by | David Tattersall | Editing by | David Finfer

Starring | Dwayne Johnson, Ashley Judd, Julie Andrews, Stephen Merchant

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses

Jack Reacher (2012)

Motion Picture | 2D | Color | 2.35:1 | 130 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Caleb Deschanel | Editing by | Kevin Stitt

Starring | Tom Cruise, Rosamund Pike, Richard Jenkins, Werner Herzog

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dinner for Schmucks (2010)

Motion Picture | 2D | Color | 1.85:1, 2.40:1 | 114 Minutes

Dinner for Schmucks | ShotOnWhat?

Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten, Jon Poll

Starring | Steve Carell, Paul Rudd, Stephanie Szostak, Zach Galifianakis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Twilight Saga: Breaking Dawn – Part 2 (2012)

Motion Picture | 2D | Color | 2.35:1 | 115 Minutes

The Twilight Saga: Breaking Dawn – Part 2 | ShotOnWhat?

Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz, Ian Slater

Starring | Kristen Stewart, Robert Pattinson, Taylor Lautner, Peter Facinelli

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Wall Street: Money Never Sleeps (2010)

Motion Picture | 2D | Color | 2.35:1 | 133 Minutes

Wall Street: Money Never Sleeps | ShotOnWhat?

Directed by | Oliver Stone | Cinematography by | Rodrigo Prieto | Editing by | David Brenner, Julie Monroe

Starring | Shia LaBeouf, Michael Douglas, Carey Mulligan, Josh Brolin

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Master Prime Lenses

People Like Us (2012)

Motion Picture | 2D | Color | 2.35:1 | 114 Minutes

People Like Us | ShotOnWhat?

Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton

Starring | Chris Pine, Elizabeth Banks, Michelle Pfeiffer, Olivia Wilde

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Idlewild (2006)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud

Starring | André 3000, Big Boi, Terrence Howard, Paula Patton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

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