Final Cut Pro Editing System | 197 Titles
Burn After Reading (2008)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
Neighbor (2009)
Directed by | Robert A. Masciantonio | Cinematography by | MJ Schirmer | Editing by | R. Emmett Sibley
Cameras | Red One MX Camera
The Bourne Ultimatum (2007)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
The Last Reef 3D (2012)
Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas
PressPausePlay (2011)
Directed by | David Dworsky, Victor Köhler | Cinematography by | Hannes Isaksson | Editing by | David Dworsky, Victor Köhler
Cameras | Red One Camera
Drag Me to Hell (2009)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
Me and You and Everyone We Know (2005)
Directed by | Miranda July | Cinematography by | Chuy Chávez | Editing by | Andrew Dickler, Charles Ireland
Cameras | Sony HDW-F900 Camera
The Sons of Tennessee Williams (2010)
Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff
Cameras | Sony CineAlta F23 Camera, Sony PMW-EX1 Camera
Roaming (2015)
Directed by | Michael Ray Fox | Cinematography by | Kyle Cameron, Cam Erais | Editing by | Drew Wilson
Cameras | Red One Camera
Lenses | Red Pro Prime Lenses
Iron Man (2008)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Reign Over Me (2007)
Directed by | Mike Binder | Cinematography by | Russ T. Alsobrook | Editing by | Steve Edwards, Jeremy Roush
Cameras | Panavision Genesis Camera
The Ladykillers (2004)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Spectrauma (2011)
Directed by | Michael Lauter | Cinematography by | Jon Firestone | Editing by | Michael Lauter
Cameras | Red One MX Camera
The First Aggregate (2012)
Directed by | Darhad Erdenibulag, Emyr ap Richard | Cinematography by | Emyr ap Richard | Editing by | Jinlei Kong, Matthieu Laclau
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bolex H16 Camera, Red Epic Camera, Red One Camera, Red One MX Camera
Lenses | Kern-Paillard Switar Lens, Red Pro Zoom 17-50 mm T2.9 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Hard Boiled Sweets (2012)
Directed by | David L.G. Hughes | Cinematography by | Sara Deane | Editing by | Lloyd George
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon L Series Lenses
Couples Retreat (2009)
Directed by | Peter Billingsley | Cinematography by | Eric Alan Edwards | Editing by | Dan Lebental
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Vito Bonafacci (2011)
Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti
Cameras | Red One Camera
Lenses | Zeiss DigiPrime Lenses
The Controller (2008)
Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
Open Water (2003)
Directed by | Chris Kentis | Cinematography by | Chris Kentis, Laura Lau | Editing by | Chris Kentis
Cameras | Sony DCR-VX2000 Camera, Sony DSR-PD150 Camera
