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4K Distribution Resolution | 49 Titles

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Body Melt (1993)

Direct to Video | 2D | Film Project | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy

Starring | Gerard Kennedy, Andrew Daddo, Ian Smith

Cameras | ARRIFLEX 16SR2 Camera

Tom Sykes Creates (2020)

Web Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Cinematography by | Tom Sykes | Editing by | Tom Sykes

Starring | Tom Sykes

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Panasonic Lumix G Vario 14-42mm f3.5 Lens

The Man in Room 6 (2022)

Motion Picture | 2D | 6K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 152 Minutes

Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger

Starring | Jackie Kelly, Bill Oberst Jr., David Wassilak

Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera

Lenses | Rokinon Lenses, SLR Magic Lenses

Mank (2020)

Motion Picture | 8K Project | Black & White | 2.20:1 | 131 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Gary Oldman, Amanda Seyfried, Lily Collins, Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leitz Summilux-C Series Lenses

The Queen’s Gambit (2020)

Miniseries | 2D | 8K Project | Color | 1.78:1 (16x9) | 397 Minutes

| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro

Starring | Anya Taylor-Joy, Chloe Pirrie, Bill Camp

Cameras | Red Monstro 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

Ebony Hustle (2021)

Motion Picture | 2D | 4K Project | Color |

Directed by | Jamezz Hampton | Cinematography by | Joey Koch | Editing by | Jordan Amandes

Starring | Michelle l Lamb, Andrew Chandler, Ryan Elizabeth

A.I. Rising (2018)

Motion Picture | 2D | 3.4K Project | Color | 2.66:1 | 85 Minutes

Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic

Starring | Sebastian Cavazza, Stoya, Marusa Majer, Kirsty Besterman

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI Lenses

Killers Within (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham

Starring | Sue Walsh, Jeff Doyle, Johnny Elliott

Cameras | Sony PXW-FS7 Camera

The Father (2020)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Florian Zeller | Cinematography by | Ben Smithard | Editing by | Yorgos Lamprinos

Starring | Anthony Hopkins, Olivia Colman, Mark Gatiss

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Cinema Zoom Series Lenses, Zeiss Supreme Prime Series Lenses

Cotton Wool (2017)

Short Film | 2D | 4K Project | Color | 2.39:1 | 38 Minutes

Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil

Starring | Leanne Best, Crissy Rock, Kate Rutter

Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera

Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens

Back to the Future Part II (1989)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Back to the Future Part II | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Adjuration (2019)

Short Film | 2D | 4K Project | Color | 2.39:1 | 13 Minutes

Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco

Starring | Rossy Barranco, Daniel Pereira, Judith Batista, Pabel Núñez

Cameras | Blackmagic Pocket Cinema 4K Camera, Blackmagic Pocket Cinema Camera

Lenses | Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN Lenses

A Spark in Nothing (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 146 Minutes

Directed by | Griffin Loch | Cinematography by | Rob McPeters

Starring | Arielle Gottesman, Nika Balina, Corrinne Mica

Cameras | Sony α7R II Camera

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Drifter (2016)

Motion Picture | 2D | Color | 86 Minutes

Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Chris Visser

Starring | Aria Emory, Drew Harwood, Monique Rosario, James McCabe

Cameras | Red Epic Dragon Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Cooke S4/i Prime 16mm T2.0 Lens

Innerself (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu

Starring | Jason L. Wang, Mikhail Tot, Stephen Haas, Rosy Hong

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens

Raymond’s 5 (2017)

Motion Picture | 2D | 4K Project, UHD Project | Color |

Directed by | James Hastings | Cinematography by | Francis Cousins

Starring | Gareth Lawrence, Faith Elizabeth, Mo Idriss, Emily Highams

Cameras | Red Raven Camera

Lenses | Canon Lenses

Capsule (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 91 Minutes

Guardians of the Galaxy Vol. 2 (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 136 Minutes

Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Fred Raskin, Craig Wood

Starring | Chris Pratt, Zoe Saldaña, Dave Bautista, Vin Diesel

Cameras | Red Weapon Dragon Camera

Lenses | Panavision Primo 70 Lenses

Sicarivs: the Night and the Silence (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Javier Muñoz | Cinematography by | Javier Cerdá | Editing by | Paco Díaz

Starring | Pedro Casablanc, Víctor Clavijo, Israel Elejalde, Fernando Gil

Cameras | Sony PMW-F55 Camera

Lenses | Zeiss Super Speeds Mk III Lenses

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