1920x1080 Distribution Resolution | 321 Titles
Poison Sky (0)
Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses
Anchorman 2: The Legend Continues (2013)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA Camera
Death to Prom (2014)
Directed by | Matthew Stenerson, Jeremy Wilker | Cinematography by | Jeremy Wilker | Editing by | Cassie Wentlandt
Cameras | Sony NEX-FS100 Camera
Lenses | Zeiss Lenses
Last Vegas (2013)
Directed by | Jon Turteltaub | Cinematography by | David Hennings | Editing by | David Rennie
Cameras | ARRI ALEXA Camera
Prince Avalanche (2013)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Colin Patton
Cameras | ARRI ALEXA Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Jobs (2013)
Directed by | Joshua Michael Stern | Cinematography by | Russell Carpenter | Editing by | Robert Komatsu
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The Way Way Back (2013)
Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA Camera
Only God Forgives (2013)
Directed by | Nicolas Winding Refn | Cinematography by | Larry Smith | Editing by | Matthew Newman
Cameras | ARRI ALEXA Camera, Red Epic Camera
Go with God (2013)
Directed by | Frank Harriman | Cinematography by | Andrew Rodger | Editing by | Richard Martin
Cameras | Red Digital Cinema Cameras
Mission to Lars (2012)
Directed by | James Moore, William Spicer | Editing by | Mags Arnold, Tom Herington, Ben Luria, James Moore
Cameras | Sony PMW-EX3 Camera
Don’t Speak at Funerals (2012)
Directed by | Montserrat Gomez | Cinematography by | Salman Sajun | Editing by | Trevor Lareau, Zakim Nuraney
Cameras | Sony PMW-F3 Camera
Lenses | Zeiss DigiPrime Lenses
The Sweeney (2012)
Directed by | Nick Love | Cinematography by | Simon Dennis | Editing by | James Herbert
Cameras | ARRI ALEXA Camera, Red One MX Camera
Gimme the Loot (2012)
Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust
Cameras | Sony Cameras, Sony HDW-F900R Camera
Lenses | Canon Lenses
The Woman (2013)
| Cinematography by | Ryan Atkins | Editing by | Ryan Atkins
Cameras | Canon Cameras, Canon EOS-7D Camera
Lenses | Canon Lenses
Trade of Innocents (2012)
Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Criminal Minds: Suspect Behavior (2011)
| Cinematography by | Bing Sokolsky | Editing by | Casey O. Rohrs, Janet Ashikaga, Lisa Bromwell, Joseph Virzi, John Wesley Whitton
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
The Chicago Code (2011)
| Cinematography by | Rohn Schmidt, M. David Mullen | Editing by | Jordan Goldman, David Kaldor, Rick Tuber, Dody Dorn, Dorian Harris
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Bones (2005)
| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
2012 (2009)
Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot
Cameras | Panavision Cameras, Panavision Genesis Camera
Apocalypse According to Doris (2011)
Directed by | Victor Goss | Cinematography by | Richard Walden | Editing by | Richard Mann
Cameras | Red Digital Cinema Cameras
