1920x1080 Distribution Resolution | 321 Titles
The Father and the Bear (2016)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses
Ship of Theseus (2012)
Directed by | Anand Gandhi | Cinematography by | Pankaj Kumar | Editing by | Sanyukta Kaza, Adesh Prasad, Satchit Puranik
Cameras | Canon EOS-1D Mark IV Camera
Ordinary (2013)
Living After Midnight (2016)
Directed by | Tyler W. Moore | Cinematography by | Izzy Dulay | Editing by | Tyler W. Moore
Lenses | Canon EF Series Lenses, Sony Lenses
The Cobbler (2014)
Directed by | Tom McCarthy | Cinematography by | W. Mott Hupfel III | Editing by | Tom McArdle
Cameras | ARRI ALEXA Plus Camera
La casa muda (2010)
Directed by | Gustavo Hernández | Cinematography by | Pedro Luque | Editing by | Gustavo Hernández
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Triumph67 (2010)
Directed by | Dan Tanz | Cinematography by | Jeremy Wilker | Editing by | Dan Tanz, Jeremy Wilker
Cameras | Sony PMW-EX3 Camera
Lenses | Canon FD Series Lenses
Avengers: Age of Ultron (2015)
Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek
Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
Angry Video Game Nerd: The Movie (2014)
Directed by | Kevin Finn, James Rolfe | Cinematography by | Jason Brewer | Editing by | Paul Fontaine, Michael Licisyn
Né quelque part (2013)
Directed by | Mohamed Hamidi | Cinematography by | Alex Lamarque | Editing by | Marion Monnier
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses
Grigris (2013)
Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo
Cameras | ARRI ALEXA Camera
Sherlock (2010)
| Cinematography by | Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther | Editing by | Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses | Cooke S4 Lenses, Zeiss Super Speed Lenses
Chasing Ice (2012)
The Theory of Everything (2014)
Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
Pretty Little Liars (2010)
| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras | Red One MX Camera, Red Scarlet Camera
Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
600 kilos d’or pur (2010)
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Sanatorium (2013)
Directed by | Brant Sersen | Cinematography by | Daniel Sharnoff | Editing by | Chris Lechler
Cameras | Canon EOS-7D Camera, Canon VIXIA HF10 Camera, GoPro HD Hero2 Camera, Sony Other Camera, Sony PMW-EX1 Camera
Leverage (2008)
| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson
