D-Cinema (DCP - Digital Cinema) | 1199 Titles
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
Sin City: A Dame to Kill For (2014)
Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRI ALEXA M Camera
Lenses | Fujinon Premier Lenses
42 (2013)
Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt
Cameras | Red Epic Camera
Scary Movie 5 (2013)
Directed by | Malcolm D. Lee, David Zucker | Cinematography by | Steven Douglas Smith | Editing by | Sam Seig
Cameras | ARRI ALEXA Camera
The Spectacular Now (2013)
The Hangover Part III (2013)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher
The Lego Movie (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay
Cameras | ARRI ALEXA Series Cameras
2012 (2009)
Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot
Cameras | Panavision Cameras, Panavision Genesis Camera
Maleficent (2014)
Directed by | Robert Stromberg | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Richard Pearson
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera
The Incredible Burt Wonderstone (2013)
Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
White House Down (2013)
Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Adam Wolfe
Cameras | ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera
RoboCop (2014)
Directed by | José Padilha | Cinematography by | Lula Carvalho | Editing by | Peter McNulty, Daniel Rezende
Cameras | ARRI ALEXA Camera, Red Epic Camera
Admission (2013)
Directed by | Paul Weitz | Cinematography by | Declan Quinn | Editing by | Joan Sobel
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Call (2013)
Directed by | Brad Anderson | Cinematography by | Thomas Yatsko | Editing by | Avi Youabian
Cameras | ARRI ALEXA Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses
Temptation: Confessions of a Marriage Counselor (2013)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Olympus Has Fallen (2013)
Amstel (2012)
Directed by | Jaap van Eyck | Cinematography by | Dirk-Jan Kerkkamp | Editing by | Elsbeth Kasteel
Cameras | ARRI ALEXA Camera
Lenses | Cooke Speed Panchro Lenses
Elf-Man (2012)
Directed by | Ethan Wiley | Cinematography by | John Grove II | Editing by | Russell Denove
Cameras | Sony Cameras
Lenses | Red Digital Cinema Lenses
Prisoners (2013)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA Studio Camera
Lenses | Zeiss Master Prime Lenses
The Mortal Instruments: City of Bones (2013)
Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody




























































