Broadcast | 290 Titles
Adaptation. (2002)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Cameras | Panavision Panaflex Millennium XL Camera
Something’s Gotta Give (2003)
Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Bridget Jones’s Diary (2001)
Directed by | Sharon Maguire | Cinematography by | Stuart Dryburgh | Editing by | Martin Walsh
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Time Machine (2002)
Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Camera
About a Boy (2002)
Directed by | Chris Weitz, Paul Weitz | Cinematography by | Remi Adefarasin | Editing by | Nick Moore
Cameras | ARRIFLEX 35mm Cameras
Lenses | ARRI Lenses
Charlie’s Angels: Full Throttle (2003)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman
Lenses | Panavision Primo Anamorphic Lenses
Thelma & Louise (1991)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Rättskiparen (2010)
Directed by | Mattias Löw | Cinematography by | Orvar Anklew, Mattias Löw | Editing by | Orvar Anklew
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
My Big Fat Greek Wedding (2002)
Directed by | Joel Zwick | Cinematography by | Jeffrey Jur | Editing by | Mia Goldman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Training Day (2001)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV
Lenses | Hawk C-Series Lenses
The Cove (2009)
Directed by | Louie Psihoyos | Cinematography by | Brook Aitken | Editing by | Geoffrey Richman
Cameras | Sony Other Camera, Sony PDW-F350 Camera
Lost in Translation (2003)
Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Super Speed Lenses
Nirgendwo in Afrika (2001)
Directed by | Caroline Link | Cinematography by | Gernot Roll | Editing by | Patricia Rommel
Cameras | ARRIFLEX 35mm Cameras
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
Cold Mountain (2003)
Bright Star (2009)
Directed by | Jane Campion | Cinematography by | Greig Fraser | Editing by | Alexandre de Franceschi
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Optica Elite Lenses
The Addams Family (1991)
Directed by | Barry Sonnenfeld | Cinematography by | Owen Roizman | Editing by | Dede Allen, Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ted (2012)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera
