Distributed Aspect Ratio » 1.85:1

1.85:1 | 1571 Titles

1.85:1 3.23/5 13 Votes

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The Salt of the Earth (2014)

Documentary | 2D | Black & White, Color | 1.85:1 | 110 Minutes

Directed by | Juliano Ribeiro Salgado, Wim Wenders | Cinematography by | Hugo Barbier, Juliano Ribeiro Salgado | Editing by | Maxine Goedicke, Rob Myers

Starring | Sebastião Salgado, Wim Wenders, Lélia Wanick Salgado, Juliano Ribeiro Salgado

Cameras | Canon EOS-5D Mark III Camera, Canon EOS-C300 Camera

Rocky Balboa (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 102 Minutes

Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson

Starring | Sylvester Stallone, Antonio Tarver, Milo Ventimiglia, Burt Young

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera

Lenses | Zeiss Master Prime Lenses

Elf (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental

Starring | Will Ferrell, James Caan, Bob Newhart, Zooey Deschanel

Cameras | Panavision Cameras

Lenses | Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Hulk (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 138 Minutes

Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres

Starring | Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Sad Hill Unearthed (2017)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 86 Minutes

Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch

Starring | Ennio Morricone, James Hetfield, Joe Dante, Clint Eastwood

Cameras | Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

El Último Suspiro (2017)

Short Film | 2D | HD Project | Color | 1.85:1, 2.35:1 | 5 Minutes

Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo

Starring | Joaquim Girbau, Mercè Girbau, Clàudia Vicens, Pere Girbau Xalabarder

Cameras | Blackmagic Design Cameras, Canon Cameras

Lenses | Canon Lenses, Leitz Lenses

Toto le héros (1991)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 91 Minutes

Directed by | Jaco Van Dormael | Cinematography by | Walther van den Ende | Editing by | Susana Rossberg

Starring | Michel Bouquet, Mireille Perrier, Jo De Backer, Thomas Godet

Cameras | Aaton Cameras

Homecoming (2009)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Morgan J. Freeman | Cinematography by | John Burdick, Stephen Kazmierski | Editing by | Keith Reamer

Starring | Mischa Barton, Matt Long, Jessica Stroup, Michael Landes

Pickings (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 103 Minutes

Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan

Starring | Elyse Price, Michelle Holland, Lily Brooks O'Briant, Giacomo Rocchini

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Cooke Lenses, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Beast (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 94 Minutes

Directed by | Sam McKeith, Tom McKeith | Cinematography by | Michael Steel | Editing by | Paul Murphy

Starring | Garret Dillahunt, Chad McKinney, Angeli Bayani, Will Jaymes

Cameras | ARRI AMIRA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

Twixt (2011)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Kevin Bailey, Glen Scantlebury, Robert Schafer

Starring | Val Kilmer, Bruce Dern, Elle Fanning, Ben Chaplin

Cameras | Sony HDW-F900 Camera

Focus (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 105 Minutes

Directed by | Glenn Ficarra, John Requa | Cinematography by | Xavier Grobet | Editing by | Jan Kovac

Starring | Will Smith, Margot Robbie, Rodrigo Santoro, Adrian Martinez

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Manchester by the Sea (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 137 Minutes

Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame

Starring | Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Lenses, Canon K35 Prime Lenses

Somewhere in the Middle (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 90 Minutes

Directed by | Lanre Olabisi | Cinematography by | Piero Basso | Editing by | Alex Kopit

Starring | Cassandra Freeman, Charles Miller, Marisol Miranda, Dennis Rubin Green

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Tú y yo (2014)

Documentary | 2D | 2K Project | Color | 1.85:1 | 87 Minutes

Directed by | Natalia Cabral, Oriol Estrada | Cinematography by | Oriol Estrada | Editing by | Oriol Estrada

Starring | Paula Lebrón, Francisca Pérez De Sosa

Cameras | Panasonic Lumix DMC-GH2 Camera

The Hollars (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons

Starring | Sharlto Copley, Charlie Day, Richard Jenkins, Anna Kendrick

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Mechanic: Resurrection (2016)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Dennis Gansel | Cinematography by | Daniel Gottschalk | Editing by | Ueli Christen, Michael J. Duthie, Todd E. Miller

Starring | Jason Statham, Jessica Alba, Tommy Lee Jones, Michelle Yeoh

Cameras | Red Epic Camera, Red Scarlet Camera

Sausage Party (2016)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 89 Minutes

Directed by | Greg Tiernan, Conrad Vernon | Editing by | Kevin Pavlovic

Starring | Seth Rogen, Kristen Wiig, Jonah Hill, Alistair Abell

Finding Dory (2016)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 97 Minutes

Directed by | Andrew Stanton, Angus MacLane | Cinematography by | Jeremy Lasky | Editing by | Axel Geddes

Starring | Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson

Ghostbusters (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1, 2.39:1 | 116 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

Cameras | ARRI ALEXA XT Camera

Lenses | Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

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