1920 x 1080 - (1.78:1) Capture Resolution | 187 Titles
Hickory Never Bleeds (2012)
Directed by | Frank Ladner | Cinematography by | Frank Ladner | Editing by | Frank Ladner
Cameras | Bauer C1 Super 8 Camera, Canon EOS-7D Camera
Lenses | Asahi Pentax Super Takumar 50 mm f1.4 Lens, Canon EF 85 mm f1.4 Lens, Sigma 17-50mm f2.8 EX DC OS HSM Lens, Sigma 30mm f1.4 EX DC HSM Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
Department (2012)
Directed by | Ram Gopal Varma | Cinematography by | Siddhartha More, Sapan Narula, Zaryan Patel, Harshraj Shroff, M. Ravichandran Thevar | Editing by | Vinay Chauhan, Abhijit Kokate
Cameras | Canon Cameras, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Panasonic Cameras, Red Digital Cinema Cameras, Red One MX Camera, Weisscam Cameras, Weisscam HS-1 Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses, Zeiss Compact Prime Lenses, Zeiss Lenses
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Early Birds (2012)
Directed by | Jeroen Bogaert | Cinematography by | Rik Zang | Editing by | Karel van Bellingen
Cameras | ARRI ALEXA Camera, ARRI Cameras
Lenses | Cooke Lenses
TORC – The Off-Road Championships (2012)
Down and Dangerous (2013)
Directed by | Zak Forsman | Cinematography by | Zak Forsman, Sam Krueger | Editing by | Jamie Cobb
Cameras | Panasonic AG-AF100 Camera
The Hour (2011)
| Cinematography by | Chris Seager, David Luther | Editing by | Gareth C. Scales, Xavier Russell, Nick Arthurs, Paul Machliss
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Reparando (2010)
Directed by | Scott Owen Moore | Cinematography by | Bobby Marko, Scott Owen Moore | Editing by | Scott Owen Moore
4 Points (2012)
| Cinematography by | Robert Christopher Webb, Jesse Bactat | Editing by | Joe Rubalcaba
Cameras | Canon Cameras, Canon EOS-7D Camera, Canon XF305 Camera, Sony Cameras, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
The Forbidden Kingdom (2008)
Directed by | Rob Minkoff | Cinematography by | Peter Pau | Editing by | Eric Strand
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Journey to the Center of the Earth (2008)
Directed by | Eric Brevig | Cinematography by | Chuck Shuman | Editing by | Steven Rosenblum, Paul Martin Smith, Dirk Westervelt
Home (2009)
Directed by | Yann Arthus-Bertrand | Cinematography by | Michel Benjamin, Dominique Gentil | Editing by | Yen Le Van
Cameras | Cineflex V14HD Camera
Sick Boy (2012)
Directed by | Tim T. Cunningham | Cinematography by | Sean C. Cunningham
Cameras | Canon EOS-7D Camera
Wickie auf großer Fahrt (2011)
Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Ueli Christen
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Jagten (2012)
Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens
Hameno Koritsi (2012)
Directed by | Nikos Pastras | Cinematography by | Yannis Kanakis | Editing by | Angelos Frantzis, Nikos Pastras
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Lenses
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
InSight (2011)
Directed by | Richard Gabai | Cinematography by | Scott Peck | Editing by | Jeff Murphy
Cameras | Sony CineAlta F35 Camera
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
