ARRI Raw | 332 Titles
Transformers: The Last Knight (2017)
Directed by | Michael Bay | Cinematography by | Jonathan Sela | Editing by | Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer
Lenses | ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Terminator: Dark Fate (2019)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Longlegs (2024)
Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng
Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses
Gold Star (2020)
Directed by | Amin Pourbarghi | Cinematography by | Costa Konstantinou | Editing by | Gusti Wiblinger
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon EF Series Lenses, Canon FD Series Lenses
Lupin (2021)
| Cinematography by | Christophe Nuyens, Maxime Cointe, Nicolas Massart, Martial Schmeltz | Editing by | Jean-Daniel Fernandez Qundez, Audrey Simonaud, Romain Rioult, Richard Marizy, Matthilde Carlier, Vincent Tabaillon
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | P+S Technik TECHNOVISION 1.5x 100 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 135 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 40 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 40-70 mm T3.2 Lens, P+S Technik TECHNOVISION 1.5x 50 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 75 mm T2.5 Lens
Mission: Impossible – Dead Reckoning Part One (2023)
Directed by | Christopher McQuarrie | Cinematography by | Fraser Taggart | Editing by | Eddie Hamilton
Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses
John Wick: Chapter 4 (2023)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses
John Wick: Chapter 3 – Parabellum (2019)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
John Wick: Chapter 2 (2017)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA XT Plus Camera
John Wick (2014)
Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens
The Batman (2022)
Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | William Hoy, Tyler Nelson
Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses
Avengers: Endgame (2019)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera
You Were Never Really Here (2017)
Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Beauty and the Beast (2017)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leitz Summilux-C Series Lenses
It (2017)
Directed by | Andy Muschietti | Cinematography by | Chung-hoon Chung | Editing by | Jason Ballantine
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Suburbicon (2017)
Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Causeway (2022)
Directed by | Lila Neugebauer | Cinematography by | Diego García | Editing by | Robert Frazen, Lucian Johnston
Cameras | ARRI ALEXA LF Camera
Lenses | Panavision H Series Lenses
Swiss Army Man (2016)
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Matthew Hannam
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Phantom Flex4K Camera, Red Epic Dragon Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Anamorphic Lenses, Cooke S4/i Lenses, Cooke Xtal Express Lenses, Zeiss Super Speed Lenses
All the Money in the World (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision Super Speed Lenses
American Animals (2018)
Directed by | Bart Layton | Cinematography by | Ole Bratt Birkeland | Editing by | Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart
