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Arrival (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker

Starring | Amy Adams, Jeremy Renner, Forest Whitaker

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

L’Arminuta (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Giuseppe Bonito | Cinematography by | Alfredo Betrò | Editing by | Roberto Missiroli

Starring | Aurora Barulli, Carlotta De Leonardis, Fabrizio Ferracane

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens

Sløborn (2020)

Television Series | 2D | 3.4K Project | Color | 2.39:1 | 48 Minutes

| Cinematography by | Christian Alvart, Christian Huck | Editing by | Marc Hofmeister, William James, Zoë Dahmen, Robert Sterna

Starring | Emily Kusche, Aaron Hilmer, Adrian Grünewald

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Stranger Things (2016)

Television Series | 2D | 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco | Editing by | Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Starring | Millie Bobby Brown, Finn Wolfhard, Winona Ryder

Cameras | ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses | Leitz Summilux-C Series Lenses

Kick-Ass 2 (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Jeff Wadlow | Cinematography by | Tim Maurice-Jones | Editing by | Eddie Hamilton

Starring | Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Avengers: Infinity War (2018)

Motion Picture | 3D | 2K Project | Color | 1.90:1, 2.39:1 | 149 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans

Cameras | ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Black Panther (2018)

Motion Picture | 3D | 3.4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver

Starring | Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Sonic the Hedgehog 2 (2022)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Jeff Fowler | Cinematography by | Brandon Trost | Editing by | Jim May

Starring | James Marsden, Jim Carrey, Ben Schwartz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Panavision T Series Anamorphic Lenses

Cold War (2018)

Motion Picture | 2D | 4K Project | Black & White | 1.37:1 | 89 Minutes

Directed by | Pawel Pawlikowski | Cinematography by | Lukasz Zal | Editing by | Jaroslaw Kaminski

Starring | Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Ready Player One (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe

Cameras | ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Les Misérables (2019)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Ladj Ly | Cinematography by | Julien Poupard | Editing by | Flora Volpelière

Starring | Damien Bonnard, Alexis Manenti, Djebril Zonga, Issa Perica

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Blood and Money (2020)

Motion Picture | 2D | Color | 2.0:1 | 89 Minutes

Directed by | John Barr | Cinematography by | John Barr | Editing by | Roger Cropley II

Starring | Tom Berenger, Kristen Hager, Paul Ben-Victor, Jimmy LeBlanc

Cameras | ARRI ALEXA Mini Camera

Sonic the Hedgehog (2020)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Jeff Fowler | Cinematography by | Stephen F. Windon

Starring | Ben Schwartz, James Marsden, Jim Carrey

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Silverstar (2022)

Motion Picture | 2D | 2K Project | Color | 86 Minutes

Directed by | Diede in 't Veld | Cinematography by | Ties Versteegh | Editing by | Jeffrey De Vore

Starring | Anneke Blok, Bo Maerten, Eliyha Altena

Cameras | ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera, Red Komodo Camera

Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Zeiss Master Zoom 16.5–110mm T2.6 Lens

A Cure for Wellness (2016)

Motion Picture | 2D | 2K Project | Color | 1.66:1, 1.78:1 (16x9) | 146 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | Pete Beaudreau, Lance Pereira

Starring | Dane DeHaan, Jason Isaacs, Mia Goth

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Dune (2021)

Motion Picture | 2D | 4K Project | Color | 155 Minutes

Directed by | Denis Villeneuve | Cinematography by | Greig Fraser | Editing by | Joe Walker

Starring | Timothée Chalamet, Rebecca Ferguson, Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

A.I. Rising (2018)

Motion Picture | 2D | 3.4K Project | Color | 2.66:1 | 85 Minutes

Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic

Starring | Sebastian Cavazza, Stoya, Marusa Majer, Kirsty Besterman

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI Lenses

Monster (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Anthony Mandler | Cinematography by | David Devlin | Editing by | Joe Klotz

Starring | ASAP Rocky, John David Washington, Kelvin Harrison Jr.

Cameras | Red Epic Dragon Camera

Lenses | Cineovision Lenses, Nikon - Nikkor Lenses, Zeiss Lenses

Drive My Car (2021)

Motion Picture | 2D | Color | 1.85:1 | 179 Minutes

Directed by | Ryûsuke Hamaguchi | Cinematography by | Hidetoshi Shinomiya | Editing by | Azusa Yamazaki

Starring | Hidetoshi Nishijima, Tôko Miura, Reika Kirishima

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Lenses

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