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ARRI Cameras | 2118 Titles

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Now Is Good (2012)

Motion Picture | 2D | Color | 103 Minutes

Now Is Good | ShotOnWhat?

Directed by | Ol Parker | Cinematography by | Erik Wilson | Editing by | Peter Lambert

Starring | Dakota Fanning, Josef Altin, Jeremy Irvine, Paddy Considine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Dune (1984)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 137 Minutes

Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Antony Gibbs

Starring | Kyle MacLachlan, Virginia Madsen, Francesca Annis, Leonardo Cimino

Cameras | ARRIFLEX 35 BL2 Camera, Photo-Sonics 35mm-4ER Camera

Hao men ye yan (1991)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Alfred Cheung, Tung Cho 'Joe' Cheung, Clifton Ko, Hark Tsui | Cinematography by | David Chung, Ardy Lam, Andrew Lau Wai-Keung, Kin Keung Lee, Tak-Wai Lee, Peter Pau, Chi-Wai Tam, Wing-Hang Wong | Editing by | Ma Kam, Marco Mak, David Wu, Shao Feng Yu

Starring | Anthony Chan, Pak-Cheung Chan, Philip Chan, Sylvia Chang

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Nadine (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen

Starring | Jeff Bridges, Kim Basinger, Rip Torn, Gwen Verdon

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Clockwatchers (1997)

Motion Picture | 2D | Color | 96 Minutes

Clockwatchers | ShotOnWhat?

Directed by | Jill Sprecher | Cinematography by | Jim Denault | Editing by | Stephen Mirrione

Starring | Toni Collette, Parker Posey, Lisa Kudrow, Alanna Ubach

Cameras | ARRI Cameras

The Color of Money (1986)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

The Color of Money | ShotOnWhat?

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Paul Newman, Tom Cruise, Mary Elizabeth Mastrantonio, Helen Shaver

Cameras | ARRI Cameras

Final Destination 5 (2011)

Motion Picture | 3D | Color | 2.35:1 | 92 Minutes

Final Destination 5 | ShotOnWhat?

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Nicholas D'Agosto, Emma Bell, Arlen Escarpeta, Miles Fisher

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Mindscape of Alan Moore (2005)

Motion Picture | 2D | Color | 80 Minutes

The Mindscape of Alan Moore | ShotOnWhat?

Directed by | Dez Vylenz, Moritz Winkler | Cinematography by | Moritz Winkler | Editing by | Dez Vylenz, Moritz Winkler

Starring | Glenn Doherty, Florian Fischer, Alan Moore

Cameras | ARRI Cameras

Breaking and Entering (2006)

Motion Picture | 2D | Color | 2.35:1 | 120 Minutes

Breaking and Entering | ShotOnWhat?

Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning

Starring | Jude Law, Robin Wright, Vera Farmiga, Martin Freeman

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Ultra Prime Lenses

Fraternity Vacation (1985)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Fraternity Vacation | ShotOnWhat?

Directed by | James Frawley | Cinematography by | Paul Ryan

Starring | Stephen Geoffreys, Sheree J. Wilson, Cameron Dye, Leigh McCloskey

Cameras | ARRI Cameras

Excalibur (1981)

Motion Picture | 2D | Color | 1.66:1, 1.85:1 | 140 Minutes

Excalibur | ShotOnWhat?

Directed by | John Boorman | Cinematography by | Alex Thomson | Editing by | John Merritt, Donn Cambern

Starring | Nigel Terry, Helen Mirren, Nicholas Clay, Cherie Lunghi

Cameras | ARRI Cameras, ARRIFLEX 35 BL3 Camera

Le Mozart des pickpockets (2006)

Short Film | 2D | Color | 1.85:1 | 31 Minutes

Directed by | Philippe Pollet-Villard | Cinematography by | Philippe Piffeteau | Editing by | Cyril Nakache

Starring | Matteo Razzouki-Safardi, Philippe Pollet-Villard, Richard Morgiève, Samir Guesmi

Cameras | ARRI ARRIFLEX Series Cameras

Pirates of the Caribbean: Dead Man’s Chest (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Jack Davenport

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Lock, Stock and Two Smoking Barrels (1998)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Guy Ritchie | Cinematography by | Tim Maurice-Jones | Editing by | Niven Howie

Starring | Jason Flemyng, Dexter Fletcher, Nick Moran, Jason Statham

Cameras | ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras

Pacific Heights (1990)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Pacific Heights | ShotOnWhat?

Directed by | John Schlesinger | Cinematography by | Amir Mokri | Editing by | Steven Ramirez, Mark Warner

Starring | Melanie Griffith, Matthew Modine, Michael Keaton, Mako

Cameras | ARRI Cameras

The Tempest (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot

Starring | Helen Mirren, Felicity Jones, Djimon Hounsou, Russell Brand

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Suspiria (1977)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli

Starring | Jessica Harper, Stefania Casini, Flavio Bucci, Miguel Bosé

Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera

Lenses | Technovision Lenses

Nobody’s Fool (1994)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Nobody’s Fool | ShotOnWhat?

Directed by | Robert Benton | Cinematography by | John Bailey | Editing by | John Bloom

Starring | Paul Newman, Bruce Willis, Jessica Tandy, Melanie Griffith

Cameras | ARRI Cameras

Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Habermann (2010)

Motion Picture | Color | 104 Minutes

Habermann | ShotOnWhat?

Directed by | Juraj Herz | Cinematography by | Alexander Surkala | Editing by | Melanie Werwie

Starring | Mark Waschke, Karel Roden, Ben Becker, Hannah Herzsprung

Cameras | ARRI Cameras

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