ARRI Cameras | 2118 Titles
À moi seule (2012)
Directed by | Frédéric Videau | Cinematography by | Marc Tevanian | Editing by | François Quiqueré
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Maadadayo (1993)
Directed by | Akira Kurosawa | Cinematography by | Takao Saitô, Shôji Ueda | Editing by | Akira Kurosawa, Ishirô Honda
Cameras | ARRIFLEX 535 Camera
Kundun (1997)
Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker
Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses
Bored to Death (2009)
| Cinematography by | Vanja Cernjul | Editing by | Ken Eluto, Meg Reticker, Malcolm Jamieson, Agnes Grandits
Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera
Colombiana (2011)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre
Radioland Murders (1994)
Directed by | Mel Smith | Cinematography by | David Tattersall | Editing by | Paul Trejo
Cameras | ARRI ARRIFLEX Series Cameras
The Apparition (2012)
Directed by | Todd Lincoln | Cinematography by | Daniel Pearl | Editing by | Jeff Betancourt, Tom Elkins, Harold Parker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
The Dictator (2012)
Directed by | Larry Charles | Cinematography by | Lawrence Sher | Editing by | Greg Hayden, Eric Kissack
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark III Camera
Lenses | Panavision Primo Anamorphic Lenses
Dorian Gray (2009)
Directed by | Oliver Parker | Cinematography by | Roger Pratt | Editing by | Guy Bensley
Lenses | Angenieux Lenses, Cooke S4 Lenses
Mo’ Better Blues (1990)
Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Super Speed Lenses
Hollow Man (2000)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Ron Vignone
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera
Lenses | Zeiss Standard Speed Prime Lenses
Salmon Fishing in the Yemen (2011)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Lisa Gunning
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The American (2010)
Directed by | Anton Corbijn | Cinematography by | Martin Ruhe | Editing by | Andrew Hulme
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Seeking a Friend for the End of the World (2012)
Directed by | Lorene Scafaria | Cinematography by | Tim Orr | Editing by | Zene Baker
Cameras | ARRI ALEXA Plus Camera
Babel (2006)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lie to Me (2009)
| Cinematography by | Sidney Sidell, Joseph E. Gallagher, Alan Caso, David Geddes, Florian Ballhaus | Editing by | Devon Greene, David Post, Rick Tuber, David C. Cook, David Siegel, Padraic McKinley, Thomas R. Moore, Gib Jaffe, Monty DeGraff, Marta Evry, Thom Noble, Suzy Elmiger
Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera
I Am Number Four (2011)
Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page
Knight and Day (2010)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Quincy Z. Gunderson, Michael McCusker
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Jane Eyre (2011)
Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
Salt (2010)
Directed by | Phillip Noyce | Cinematography by | Robert Elswit | Editing by | Stuart Baird, John Gilroy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses
