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ARRI ALEXA XT Series Cameras | 187 Titles

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Ice (2016)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

Crown Vic (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman

Starring | Bridget Moynahan, Thomas Jane, David Krumholtz, Luke Kleintank

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

The Neon Demon (2016)

Motion Picture | 2D | 4K Project, Other Project Resolution | Color | 2.39:1 | 117 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman

Starring | Elle Fanning, Christina Hendricks, Keanu Reeves, Karl Glusman

Cameras | ARRI ALEXA Series Cameras, ARRI ALEXA XT Camera, ARRI Cameras

Lenses | Cooke Lenses, Cooke Xtal Express Lenses

Focus (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 105 Minutes

Directed by | Glenn Ficarra, John Requa | Cinematography by | Xavier Grobet | Editing by | Jan Kovac

Starring | Will Smith, Margot Robbie, Rodrigo Santoro, Adrian Martinez

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Manchester by the Sea (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 137 Minutes

Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame

Starring | Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Lenses, Canon K35 Prime Lenses

Collateral Beauty (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | David Frankel | Cinematography by | Maryse Alberti | Editing by | Andrew Marcus

Starring | Will Smith, Edward Norton, Kate Winslet, Michael Peña

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Flock of Four (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Gregory Caruso | Cinematography by | Gus Bendinelli | Editing by | Vic Brown

Starring | Braeden Lemasters, Uriah Shelton, Isaac Jay, Dylan Riley Snyder

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses

The Bookshop (2017)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu | Editing by | Bernat Aragonés

Starring | Emily Mortimer, Bill Nighy, Hunter Tremayne, Honor Kneafsey

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses, Zeiss Ultra Prime Lenses

Don’t Breathe (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 88 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould

Starring | Stephen Lang, Jane Levy, Dylan Minnette, Daniel Zovatto

Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

War Dogs (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 114 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Jonah Hill, Miles Teller, Steve Lantz, Gregg Weiner

Cameras | ARRI ALEXA XT Camera

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Florence Foster Jenkins (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli

Starring | Meryl Streep, Hugh Grant, Simon Helberg, Rebecca Ferguson

Cameras | ARRI ALEXA XT Camera

Pete’s Dragon (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin

Starring | Bryce Dallas Howard, Robert Redford, Oakes Fegley, Oona Laurence

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke Anamorphic/i Prime Lenses

Good Boys (2019)

Movie | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Gene Stupnitsky | Cinematography by | Jonathan Furmanski | Editing by | Daniel Gabbe

Starring | Jacob Tremblay, Molly Gordon, Retta, Will Forte

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Ghostbusters (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1, 2.39:1 | 116 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

Cameras | ARRI ALEXA XT Camera

Lenses | Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Star Trek Beyond (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Starring | Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldaña

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Fast 8 (2017)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | F. Gary Gray | Cinematography by | Stephen F. Windon | Editing by | Paul Rubell, Christian Wagner

Starring | Vin Diesel, Jason Statham, Dwayne Johnson, Michelle Rodriguez

Cameras | ARRI ALEXA XT Camera, Red Epic Camera

Knights of the Roundtable: King Arthur (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 126 Minutes

Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert

Starring | Charlie Hunnam, Astrid Bergès-Frisbey, Jude Law, Djimon Hounsou

Cameras | ARRI ALEXA XT Camera

Two Lovers and a Bear (2016)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau

Starring | Dane DeHaan, Tatiana Maslany, Joel Gagne, Gordon Pinsent

Cameras | ARRI ALEXA XT Camera

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