ARRI ALEXA Series Cameras | 910 Titles
Last Vegas (2013)
Directed by | Jon Turteltaub | Cinematography by | David Hennings | Editing by | David Rennie
Cameras | ARRI ALEXA Camera
Galore (2013)
Directed by | Rhys Graham | Cinematography by | Stefan Duscio | Editing by | Andy Canny
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens
Identity Thief (2013)
Directed by | Seth Gordon | Cinematography by | Javier Aguirresarobe | Editing by | Peter Teschner
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
App (2013)
Directed by | Bobby Boermans | Cinematography by | Ezra Reverda | Editing by | Brian Ent
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
Broken City (2013)
Directed by | Allen Hughes | Cinematography by | Ben Seresin | Editing by | Cindy Mollo
Cameras | ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Blood Ties (2013)
Directed by | Guillaume Canet | Cinematography by | Christophe Offenstein | Editing by | Hervé de Luze
Cameras | ARRI ALEXA Plus Camera
Max (2013)
Directed by | Roman Wyden | Cinematography by | Zach Voytas | Editing by | Nik Voytas
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Gods Behaving Badly (2013)
Directed by | Marc Turtletaub | Cinematography by | Tak Fujimoto | Editing by | Alan Heim, Joe Landauer
Cameras | ARRI ALEXA Camera
The Fifth Estate (2013)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses
The Colony (2013)
Directed by | Jeff Renfroe | Cinematography by | Pierre Gill | Editing by | Aaron Marshall
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Insidious: Chapter 2 (2013)
Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri
Cameras | ARRI ALEXA Camera
Carrie (2013)
Directed by | Kimberly Peirce | Cinematography by | Steve Yedlin | Editing by | Lee Percy, Nancy Richardson
Cameras | ARRI ALEXA Camera
Des gens qui s’embrassent (2013)
Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra
Cameras | ARRI ALEXA Plus Camera
The Purge (2013)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Peter Gvozdas
Cameras | ARRI ALEXA Plus Camera
Dexter (2006)
| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
Furious 6 (2013)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera
The Way Way Back (2013)
Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA Camera
The Lifeguard (2013)
Directed by | Liz W. Garcia | Cinematography by | John Peters | Editing by | Jennifer Davidoff Cook, Elizabeth Kling
Cameras | ARRI ALEXA Camera
We’re the Millers (2013)
Directed by | Rawson Marshall Thurber | Cinematography by | Barry Peterson | Editing by | Michael L. Sale
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
