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ARRI ALEXA Series Cameras | 910 Titles

ARRI ALEXA Series Cameras 4.75/5 8 Votes

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All Is Lost (2013)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Vegas (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Joseph E. Gallagher, Kramer Morgenthau | Editing by | Mark Manos, Jan Northrop, Fred Peterson

Starring | Dennis Quaid, Michael Chiklis, Carrie-Anne Moss, Taylor Handley

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

The Best Offer (2013)

Motion Picture | 2D | Color | 131 Minutes

The Best Offer | ShotOnWhat?

Directed by | Giuseppe Tornatore | Cinematography by | Fabio Zamarion | Editing by | Massimo Quaglia

Starring | Geoffrey Rush, Jim Sturgess, Sylvia Hoeks, Donald Sutherland

Cameras | ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Zeiss Master Prime Lenses

Un beau dimanche (2013)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet

Starring | Pierre Rochefort, Louise Bourgoin, Dominique Sanda, Déborah François

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Nymphomaniac: Vol. II (2013)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Willem Dafoe, Jamie Bell

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

The Hangover Part III (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher

Starring | Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Trance (2013)

Motion Picture | 2D | Color, Black and White | 2.40:1 | 101 Minutes

Trance | ShotOnWhat?

Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Jon Harris

Starring | James McAvoy, Rosario Dawson, Vincent Cassel, Danny Sapani

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera

Lenses | ARRI / Fujinon Lenses, Canon Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

Homefront (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Gary Fleder | Cinematography by | Theo van de Sande | Editing by | Padraic McKinley

Starring | Jason Statham, James Franco, Winona Ryder, Kate Bosworth

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Conjuring (2013)

Motion Picture | 2D | Color | 112 Minutes

The Conjuring | ShotOnWhat?

Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri

Starring | Patrick Wilson, Vera Farmiga, Ron Livingston, Lili Taylor

Cameras | ARRI ALEXA Camera

Lenses | Leitz Summilux-C Series Lenses

Machete Kills (2013)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Machete Kills | ShotOnWhat?

Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Rebecca Rodriguez, Robert Rodriguez

Starring | Danny Trejo, Alexa PenaVega, Mel Gibson, Jessica Alba

Cameras | ARRI ALEXA Plus Camera

Helium (2013)

Short Film | 2D | Color | 2.39:1 | 23 Minutes

Directed by | Anders Walter | Cinematography by | Rasmus Heise | Editing by | Lars Wissing

Starring | Casper Crump, Pelle Falk Krusbæk, Marijana Jankovic

Cameras | ARRI ALEXA Camera

The Last Stand (2013)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Jee-woon Kim | Cinematography by | Ji-yong Kim | Editing by | Steven Kemper

Starring | Arnold Schwarzenegger, Forest Whitaker, Johnny Knoxville, Rodrigo Santoro

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Anchorman 2: The Legend Continues (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Melissa Bretherton, Brent White

Starring | Will Ferrell, Christina Applegate, Paul Rudd, Steve Carell

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Frau Ella (2013)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr

Starring | Matthias Schweighöfer, Ruth-Maria Kubitschek, August Diehl, Anna Bederke

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Zulu (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet

Starring | Orlando Bloom, Forest Whitaker, Conrad Kemp, Inge Beckmann

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Avant l’hiver (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker

Starring | Daniel Auteuil, Kristin Scott Thomas, Leïla Bekhti, Richard Berry

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Tian zhu ding (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Zhangke Jia | Cinematography by | Nelson Lik-wai Yu | Editing by | Matthieu Laclau, Xudong Lin

Starring | Wu Jiang, Baoqiang Wang, Tao Zhao, Lanshan Luo

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Anamorphic 50 mm T1.9 Lens

Le coeur des hommes 3 (2013)

Motion Picture | 2D | Color | 114 Minutes

Directed by | Marc Esposito | Cinematography by | Pascal Caubère | Editing by | Benoît Alavoine

Starring | Bernard Campan, Jean-Pierre Darroussin, Eric Elmosnino, Marc Lavoine

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Orphan Black (2013)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Aaron Morton, David Frazee, Michael Marshall | Editing by | Jay Prychidny, D. Gillian Truster, Brett Sullivan, Reginald Harkema, Stephen Lawrence, Stephen Philipson, Stephen Roque, Matthew Anas

Starring | Tatiana Maslany, Dylan Bruce, Jordan Gavaris, Kevin Hanchard

Cameras | ARRI ALEXA XT Camera

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