ARRI ALEXA Series Cameras | 910 Titles
Hercules (2014)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong
Cameras | ARRI ALEXA XT Camera
Nurse 3D (2013)
Directed by | Douglas Aarniokoski | Cinematography by | Boris Mojsovski | Editing by | Andrew Coutts
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Ida (2013)
Directed by | Pawel Pawlikowski | Cinematography by | Ryszard Lenczewski, Lukasz Zal | Editing by | Jaroslaw Kaminski
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Zeiss Ultra Prime Lenses
Road to Ferrari (2013)
Directed by | Matthew Bennett | Cinematography by | Daniel McKeown | Editing by | Janet Gaynor
Cameras | ARRI ALEXA Series Cameras, Canon Cameras
Enough Said (2013)
Directed by | Nicole Holofcener | Cinematography by | Xavier Grobet | Editing by | Robert Frazen
Cameras | ARRI ALEXA Studio Camera
Lenses | Leitz Summilux-C Series Lenses
Denis (2013)
Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera
The Rambler (2013)
Directed by | Calvin Reeder | Cinematography by | David McFarland | Editing by | Buzz Pierce
Cameras | ARRI ALEXA Camera
La croisière (2013)
| Cinematography by | Jean-Philippe Bouyer | Editing by | Stéphanie Gaurier, Mathieu Doll
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Iron Man Three (2013)
Directed by | Shane Black | Cinematography by | John Toll | Editing by | Peter S. Elliot, Jeffrey Ford
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Wolf Creek 2 (2013)
Directed by | Greg McLean | Cinematography by | Toby Oliver | Editing by | Sean Lahiff
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens
I Used to Be Darker (2013)
Directed by | Matthew Porterfield | Cinematography by | Jeremy Saulnier | Editing by | Marc Vives
Cameras | ARRI ALEXA Camera
The Book Thief (2013)
Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
The Best Man Holiday (2013)
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh
Cameras | ARRI ALEXA Plus 4:3 Camera
Un château en Italie (2013)
Directed by | Valeria Bruni Tedeschi | Cinematography by | Jeanne Lapoirie | Editing by | Anne Weil
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
Admission (2013)
Directed by | Paul Weitz | Cinematography by | Declan Quinn | Editing by | Joan Sobel
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Orange Is the New Black (2013)
| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens
Cameras | ARRI ALEXA Camera, Panasonic VariCam 35
Lenses | Cooke 5/i Lenses
Mama (2013)
Directed by | Andy Muschietti | Cinematography by | Antonio Riestra | Editing by | Michele Conroy
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Un giorno devi andare (2013)
Directed by | Giorgio Diritti | Cinematography by | Roberto Cimatti | Editing by | Esmeralda Calabria
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
3 Geezers! (2013)
Directed by | Michelle Schumacher | Cinematography by | Pete Villani | Editing by | Michelle Schumacher
Cameras | ARRI ALEXA Camera, ARRI Cameras
