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ARRI ALEXA Series Cameras | 910 Titles

ARRI ALEXA Series Cameras 4.75/5 8 Votes

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The 5th Wave (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell

Starring | Chloë Grace Moretz, Matthew Zuk, Gabriela Lopez, Bailey Anne Borders

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Moonlight (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders

Starring | Mahershala Ali, Naomie Harris, Trevante Rhodes

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses

The Hollars (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons

Starring | Sharlto Copley, Charlie Day, Richard Jenkins, Anna Kendrick

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

The Deleted (2016)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 14 Minutes

| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz

Starring | Nash Grier, Madeline Brewer, Amanda Cerny

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Lenses

A Monster Calls (2016)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Jaume Martí, Bernat Vilaplana

Starring | Lewis MacDougall, Sigourney Weaver, Felicity Jones, Toby Kebbell

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

The Brothers Grimsby (2016)

Motion Picture | 2D | Color | 2.39:1 | 83 Minutes

Directed by | Louis Leterrier | Cinematography by | Oliver Wood | Editing by | Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Starring | Sacha Baron Cohen, Mark Strong, Rebel Wilson, Freddie Crowder

Cameras | ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Star Trek Beyond (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Starring | Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldaña

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Ben-Hur (2016)

Motion Picture | 3D | Color | 2.39:1 | 123 Minutes

Directed by | Timur Bekmambetov | Cinematography by | Oliver Wood | Editing by | Dody Dorn, Richard Francis-Bruce

Starring | Jack Huston, Toby Kebbell, Rodrigo Santoro, Nazanin Boniadi

Cameras | ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Câini (2016)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Bogdan Mirica | Cinematography by | Andrei Butica | Editing by | Roxana Szel

Starring | Dragos Bucur, Gheorghe Visu, Vlad Ivanov, Costel Cascaval

Cameras | ARRI ALEXA XT Plus Camera

Stranger Things (2016)

Television Series | 2D | 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco | Editing by | Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Starring | Millie Bobby Brown, Finn Wolfhard, Winona Ryder

Cameras | ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses | Leitz Summilux-C Series Lenses

The American Side (2016)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Jenna Ricker | Cinematography by | Frank Barrera | Editing by | Robert Grigsby Wilson

Starring | Greg Stuhr, Don Stuhr, Kelsey Siepser, Grant Shaud

Cameras | ARRI ALEXA Camera

Nine Lives (2016)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Karl Walter Lindenlaub | Editing by | David Zimmerman, Don Zimmerman

Starring | Kevin Spacey, Jennifer Garner, Robbie Amell, Cheryl Hines

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4/i Lenses, Zeiss Ultra Prime Lenses

Pete’s Dragon (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin

Starring | Bryce Dallas Howard, Robert Redford, Oakes Fegley, Oona Laurence

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke Anamorphic/i Prime Lenses

Ghostbusters (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1, 2.39:1 | 116 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

Cameras | ARRI ALEXA XT Camera

Lenses | Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Secuestro (2016)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca

Starring | Blanca Portillo, Antonio Dechent, Vicente Romero, Marc Domènech

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

Doctor Strange (2016)

Motion Picture | 3D | Color | 1.78:1 (16x9), 2.39:1 | 115 Minutes

Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith

Starring | Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Fantastic Beasts and Where to Find Them (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day

Starring | Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan Fogler

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

The Neon Demon (2016)

Motion Picture | 2D | 4K Project, Other Project Resolution | Color | 2.39:1 | 117 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman

Starring | Elle Fanning, Christina Hendricks, Keanu Reeves, Karl Glusman

Cameras | ARRI ALEXA Series Cameras, ARRI ALEXA XT Camera, ARRI Cameras

Lenses | Cooke Lenses, Cooke Xtal Express Lenses

Paterson (2016)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Affonso Gonçalves

Starring | Adam Driver, Golshifteh Farahani, Nellie, Rizwan Manji

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

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