ARRI ALEXA Series Cameras | 910 Titles
Demolition (2015)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Jean-Marc Vallée
Cameras | ARRI ALEXA XT M Camera
Lenses | Zeiss Lenses
Drive My Car (2021)
Directed by | Ryûsuke Hamaguchi | Cinematography by | Hidetoshi Shinomiya | Editing by | Azusa Yamazaki
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Lenses
Small City (2021)
Directed by | Georgie Curran, Adriano Vilanova | Cinematography by | Mike Simpson
Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
Barry (2018)
| Cinematography by | Paula Huidobro, Brandon Trost | Editing by | Jeff Buchanan, Kyle Reiter
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Leitz Summilux-C Series Lenses
La Marginale (2022)
Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Bruno Safar
Cameras | ARRI ALEXA Mini Camera
Lenses | Atlas Orion Anamorphic 100 mm T2 Lens, Atlas Orion Anamorphic 32 mm T2 Lens, Atlas Orion Anamorphic 40 mm T2 Lens, Atlas Orion Anamorphic 65 mm T2 Lens, Atlas Orion Anamorphic 80 mm T2 Lens
Operation Portugal (2021)
Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Stéphanie Gaurier
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4 Lenses
Halloween Kills (2021)
Directed by | David Gordon Green | Cinematography by | Michael Simmonds | Editing by | Timothy Alverson
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
The Narrator (2018)
Directed by | Nicholas Connor | Cinematography by | Skye Fisher, Will Jensen | Editing by | Maddie Fletcher, Anand Nagra
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
The Lion King (2019)
Directed by | Jon Favreau | Cinematography by | Caleb Deschanel | Editing by | Adam Gerstel, Mark Livolsi
Cameras | ARRI ALEXA 65 Camera
Edie (2017)
Directed by | Simon Hunter | Cinematography by | August Jakobsson | Editing by | Olly Stothert
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Master Prime Lenses
Friends and Strangers (2021)
Directed by | James Vaughan | Cinematography by | Dimitri Zaunders | Editing by | James Vaughan
Cameras | ARRI ALEXA Camera
Lenses | Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens
The Beach House (2019)
Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier
Cameras | ARRI ALEXA Mini Camera
Gretel & Hansel (2020)
Directed by | Oz Perkins | Cinematography by | Galo Olivares | Editing by | Josh Ethier, Julia Wong
Cameras | ARRI ALEXA Mini Camera
Smuggling Hendrix (2018)
Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
Gipsy Queen (2019)
Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Law & Order: Special Victims Unit (1999)
| Cinematography by | Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee | Editing by | Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras | ARRI ALEXA Series Cameras
Lenses | ARRI Lenses, Panavision Lenses
Wonder Woman 1984 (2020)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Richard Pearson
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Baby Driver (2017)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Supernatural (2005)
| Cinematography by | Serge Ladouceur, Bradley S. Creasser, Aaron Schneider | Editing by | Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX D-21 Camera, Canon EOS-5D Mark II Camera, Panasonic AG-HVX200 Camera, Red One Camera
Lenses | Clairmont Anamorphic Lenses, Cooke S4 Lenses
The Hustle (2019)
Directed by | Chris Addison | Cinematography by | Michael Coulter | Editing by | Anthony Boys
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens
