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Chapman / Leonard Dollies | 243 Titles

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After Earth (2013)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum

Starring | Jaden Smith, David Denman, Will Smith, Sophie Okonedo

Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Hitchcock (2012)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Sacha Gervasi | Cinematography by | Jeff Cronenweth | Editing by | Pamela Martin

Starring | Anthony Hopkins, Helen Mirren, Scarlett Johansson, Danny Huston

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Oblivion (2013)

Motion Picture | 2D | 4K Project | Color | 1.85:1, 2.39:1 | 124 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce

Starring | Tom Cruise, Morgan Freeman, Andrea Riseborough, Olga Kurylenko

Cameras | Red Epic Camera, Sony CineAlta F65 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

The Hobbit: An Unexpected Journey (2012)

Motion Picture | 3D | Color | 2.39:1 | 169 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Martin Freeman, Ian McKellen, Richard Armitage, Andy Serkis

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Moneyball (2011)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen

Starring | Brad Pitt, Robin Wright, Jonah Hill, Philip Seymour Hoffman

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hope and Glory (1987)

Motion Picture | 2D | Color | 1.66:1 | 113 Minutes

Hope and Glory | ShotOnWhat?

Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ian Crafford

Starring | Sarah Miles, David Hayman, Sebastian Rice-Edwards, Geraldine Muir

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, Cooke Varopanchro 20-60mm T3.1 Lens, Zeiss Super Speed Lenses

A Simple Plan (1998)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn

Starring | Bill Paxton, Billy Bob Thornton, Bridget Fonda, Brent Briscoe

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Road to Perdition (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock

Starring | Tom Hanks, Tyler Hoechlin, Rob Maxey, Liam Aiken

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

21 Grams (2003)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione

Starring | Sean Penn, Benicio Del Toro, Naomi Watts, Danny Huston

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

The Green Mile (1999)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce

Starring | Tom Hanks, Michael Clarke Duncan, David Morse, Bonnie Hunt

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Seabiscuit (2003)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 140 Minutes

Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg

Starring | Tobey Maguire, Jeff Bridges, Elizabeth Banks, Chris Cooper

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

Max Payne (2008)

Motion Picture | 2D | Color | 100 Minutes

Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman

Starring | Mark Wahlberg, Mila Kunis, Beau Bridges, Ludacris

Cameras | ARRIFLEX 435 Camera, Phantom HD Camera

Lenses | Cooke S4 Lenses

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

A.I. Artificial Intelligence (2001)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards

Cameras | Panavision Cameras

Lenses | ARRI / Zeiss Lenses

Monster (2003)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Patty Jenkins | Cinematography by | Steven Bernstein | Editing by | Arthur Coburn, Jane Kurson

Starring | Charlize Theron, Christina Ricci, Bruce Dern, Lee Tergesen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

Youth in Revolt (2009)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin

Starring | Michael Cera, Portia Doubleday, Ray Liotta, Jean Smart

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

Crimson Tide (1995)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Gene Hackman, Denzel Washington, Matt Craven, George Dzundza

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

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