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Chapman / Leonard Dollies | 243 Titles

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A Simple Plan (1998)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn

Starring | Bill Paxton, Billy Bob Thornton, Bridget Fonda, Brent Briscoe

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Road to Perdition (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock

Starring | Tom Hanks, Tyler Hoechlin, Rob Maxey, Liam Aiken

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

21 Grams (2003)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione

Starring | Sean Penn, Benicio Del Toro, Naomi Watts, Danny Huston

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Star Wars: Episode III – Revenge of the Sith (2005)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Samuel L. Jackson

Cameras | Sony HDC-F950 Camera

Lenses | Fujinon C Series Lenses, Fujinon E Series Lenses

The Green Mile (1999)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce

Starring | Tom Hanks, Michael Clarke Duncan, David Morse, Bonnie Hunt

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Seabiscuit (2003)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 140 Minutes

Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg

Starring | Tobey Maguire, Jeff Bridges, Elizabeth Banks, Chris Cooper

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

Max Payne (2008)

Motion Picture | 2D | Color | 100 Minutes

Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman

Starring | Mark Wahlberg, Mila Kunis, Beau Bridges, Ludacris

Cameras | ARRIFLEX 435 Camera, Phantom HD Camera

Lenses | Cooke S4 Lenses

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

A.I. Artificial Intelligence (2001)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards

Cameras | Panavision Cameras

Lenses | ARRI / Zeiss Lenses

Monster (2003)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Patty Jenkins | Cinematography by | Steven Bernstein | Editing by | Arthur Coburn, Jane Kurson

Starring | Charlize Theron, Christina Ricci, Bruce Dern, Lee Tergesen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

Quantum of Solace (2008)

Motion Picture | 2D | Color | 2.35:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Youth in Revolt (2009)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin

Starring | Michael Cera, Portia Doubleday, Ray Liotta, Jean Smart

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

Crimson Tide (1995)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Gene Hackman, Denzel Washington, Matt Craven, George Dzundza

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Atlas Shrugged II: The Strike (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 111 Minutes

Atlas Shrugged II: The Strike | ShotOnWhat?

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert

Starring | Samantha Mathis, Jason Beghe, Esai Morales, Patrick Fabian

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Ali (2001)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Starring | Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Last Samurai (2003)

Motion Picture | 2D | Color | 2.39:1 | 154 Minutes

Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum

Starring | Tom Cruise, Ken Watanabe, Billy Connolly, William Atherton

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Armored (2009)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Nimród Antal | Cinematography by | Andrzej Sekula | Editing by | Armen Minasian

Starring | Columbus Short, Matt Dillon, Laurence Fishburne, Jean Reno

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

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