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VistaVision Camera Aperture | 72 Titles

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Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Back to the Future Part III (1990)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future (1985)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 116 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover

Cameras | Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future Part II (1989)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Back to the Future Part II | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Contact (1997)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Jodie Foster, Matthew McConaughey, Tom Skerritt, John Hurt

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Spider-Man 3 (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 139 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Dark (2017)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Starring | Karoline Eichhorn, Louis Hofmann, Jördis Triebel, Maja Schöne

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Lenses

Dinosaur (2000)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Directed by | Eric Leighton, Ralph Zondag | Cinematography by | David R. Hardberger, Steven Douglas Smith | Editing by | H. Lee Peterson

Starring | D.B. Sweeney, Julianna Margulies, Samuel E. Wright, Alfre Woodard

Cameras | VistaVision Cameras

The Perfect Storm (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Jurassic Park (1993)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Steven Spielberg | Cinematography by | Dean Cundey | Editing by | Michael Kahn

Starring | Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Honey I Blew Up the Kid (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 89 Minutes

Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson

Starring | Rick Moranis, Marcia Strassman, Robert Oliveri, Daniel Shalikar

Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses | Canon K35 Prime Lenses

One-Eyed Jacks (1961)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 141 Minutes

Directed by | Marlon Brando | Cinematography by | Charles Lang | Editing by | Archie Marshek

Starring | Marlon Brando, Karl Malden, Pina Pellicer, Katy Jurado

Cameras | VistaVision Cameras

The Desperate Hours (1955)

Motion Picture | 2D | Film Project | Black & White | 1.85:1 | 112 Minutes

Directed by | William Wyler | Cinematography by | Lee Garmes | Editing by | Robert Swink

Starring | Humphrey Bogart, Fredric March, Arthur Kennedy, Martha Scott

Cameras | VistaVision Cameras

The Buccaneer (1958)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 119 Minutes

Directed by | Anthony Quinn | Cinematography by | Loyal Griggs | Editing by | Archie Marshek

Starring | Yul Brynner, Claire Bloom, Charles Boyer, Inger Stevens

Cameras | VistaVision Cameras

The Searchers (1956)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 119 Minutes

Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray

Starring | John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond

Cameras | Mitchell VistaVision Camera

High Society (1956)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 111 Minutes

Directed by | Charles Walters | Cinematography by | Paul Vogel | Editing by | Ralph E. Winters

Starring | Bing Crosby, Grace Kelly, Frank Sinatra, Celeste Holm

Cameras | VistaVision Cameras

The Trouble with Harry (1955)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 99 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | Alma Macrorie

Starring | John Forsythe, Shirley MacLaine, Edmund Gwenn, Mildred Natwick

Cameras | VistaVision Cameras

The Man Who Knew Too Much (1956)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | James Stewart, Doris Day, Brenda de Banzie, Bernard Miles

Cameras | VistaVision Cameras

Funny Face (1957)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 103 Minutes

Directed by | Stanley Donen | Cinematography by | Ray June | Editing by | Frank Bracht

Starring | Audrey Hepburn, Fred Astaire, Kay Thompson, Michel Auclair

Cameras | VistaVision Cameras

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