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Innerself (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu

Starring | Jason L. Wang, Mikhail Tot, Stephen Haas, Rosy Hong

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens

El Último Suspiro (2017)

Short Film | 2D | HD Project | Color | 1.85:1, 2.35:1 | 5 Minutes

Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo

Starring | Joaquim Girbau, Mercè Girbau, Clàudia Vicens, Pere Girbau Xalabarder

Cameras | Blackmagic Design Cameras, Canon Cameras

Lenses | Canon Lenses, Leitz Lenses

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

The Box (2018)

Short Film | 2D | HD Project | Color | 2.35:1 | 56 Minutes

Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart

Starring | Kalila Welch, Isaac Stewart, Briony O'Donoghue, Max Brenner

Cameras | Canon EOS-7D Camera, Sony α7S Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 50 mm f1.2 L Lens

Lacuna (2016)

Short Film | 2D | HD Project | Color |

Directed by | Isaac Stewart | Cinematography by | Datu Bethke | Editing by | Matthew Roper, Isaac Stewart

Starring | Eliza Scanlen, Isaac Stewart, Joel Winch

Cameras | Canon EOS-1DX Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon Lenses

The Father and the Bear (2016)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Wil Love, David DeLuise, Dendrie Taylor, Charity Farrell

Cameras | Blackmagic Pocket Cinema Camera, Canon EOS-C300 Camera

Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses

Route 30 Three! (2014)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 94 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | David Cowgill, Nathalie Boltt, Dan Poole, Molly Lahr

Cameras | Sony PMW-F3 Camera

To Here Knows When (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 85 Minutes

Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie

Starring | Kitty Colquhoun, Patrick O'Brien, Hanna Stanbridge

Cameras | Éclair NPR Camera, Red One MX Camera

Lenses | Nikon - Nikkor Lenses

The Apostate: Call of the Revenant (2015)

Direct to Video | 2D | Color | 1.78:1 (16x9), 2.40:1 | 82 Minutes

Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd

Starring | James Bryhan, Terri Dwyer, Anthony Webster, Bob Sanderson

Cameras | Panasonic Lumix DMC-GH2 Camera

Lenses | Zeiss DigiZoom Vario-Sonnar 17–112 mm T1.9 Lens

Silent Ones (2013)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke

Starring | Fatih Dervisoglu, Roland Rába, Orsolya Tóth

Cameras | Aaton Penelope Camera

Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

Baloane de curcubeu (1982)

Motion Picture | 2D | Color | 132 Minutes

Directed by | Iosif Demian | Cinematography by | Valentin Popescu

Starring | Anton Aftenie, Marcela Andrei, László Botka, Magda Catone

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Cooke Speed Panchro Lenses

Do You Remember? (2015)

Motion Picture | 2D | Color |

Directed by | Isaac Madge | Cinematography by | Isaac Madge | Editing by | Isaac Madge

Starring | Twyla Doone, Marcus Duffy, Jack Northeast, Daisy Mouatt

Cameras | Canon EOS 550D Camera

Romans Road (2013)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 103 Minutes

Romans Road | ShotOnWhat?

Directed by | Helen Gibson | Cinematography by | Miguel Gonzalez, Steve Wargo | Editing by | Geoff McClelland

Starring | Tyler Gallant, Ben Edwards, Cassie Self, Arlene Newman-Van Asperen

Cameras | Sony PMW-F3 Camera

Poison Sky (0)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 120 Minutes

Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo

Starring | Tyler Gallant, Kevin Sorbo, Nicole A. Randall, Greg Joseph

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Hickory Never Bleeds (2012)

Motion Picture | 2D | Color | 81 Minutes

Hickory Never Bleeds | ShotOnWhat?

Directed by | Frank Ladner | Cinematography by | Frank Ladner | Editing by | Frank Ladner

Starring | Susan Bass, Kayla Carlisle, Mark Easley, Mark Forte

Cameras | Bauer C1 Super 8 Camera, Canon EOS-7D Camera

Lenses | Asahi Pentax Super Takumar 50 mm f1.4 Lens, Canon EF 85 mm f1.4 Lens, Sigma 17-50mm f2.8 EX DC OS HSM Lens, Sigma 30mm f1.4 EX DC HSM Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Lord of the Flies (1963)

Motion Picture | 2D | Black and White | 1.37:1 | 92 Minutes

Lord of the Flies | ShotOnWhat?

Directed by | Peter Brook | Cinematography by | Tom Hollyman | Editing by | Peter Brook, Gerald Feil, Jean-Claude Lubtchansky

Starring | James Aubrey, Tom Chapin, Hugh Edwards, Roger Elwin

Heathers (1988)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Heathers | ShotOnWhat?

Directed by | Michael Lehmann | Cinematography by | Francis Kenny | Editing by | Norman Hollyn

Starring | Winona Ryder, Christian Slater, Shannen Doherty, Lisanne Falk

The Big Slice (1991)

Motion Picture | 2D | Other Project Resolution | Color | 86 Minutes

Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo

Starring | Casey Siemaszko, Leslie Hope, Louis Ferreira, Kenneth Welsh

Cameras | ARRI ARRIFLEX Series Cameras

Mørke sjeler (2010)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul

Starring | Johanna Gustavsson, Kristian Holter, Ida Elise Broch, Morten Rudå

Cameras | Aaton LTR 54 Camera, Aaton XTR Prod Camera, Leicina Special Camera

A Rat’s Tale (1997)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Michael F. Huse | Cinematography by | Piotr Lenar | Editing by | Timothy McLeish

Starring | Josef Ostendorf, Beverly D'Angelo, Lauren Hutton, Jerry Stiller

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar II Camera

Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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