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Seventh Son (2014)

Motion Picture | 3D | Color | 2.39:1 | 102 Minutes

Directed by | Sergei Bodrov | Cinematography by | Newton Thomas Sigel | Editing by | Michael Kahn, Jim Page, Paul Rubell

Starring | Ben Barnes, Julianne Moore, Jeff Bridges, Alicia Vikander

Cameras | ARRI ALEXA Camera

The Counselor (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

The Counselor | ShotOnWhat?

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Penélope Cruz, Cameron Diaz, Javier Bardem

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

X-Men: Days of Future Past (2014)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | Patrick Stewart, Ian McKellen, Hugh Jackman, James McAvoy

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Undercovers (2010)

Television Series | 2D | Color | 1.78:1 (16x9) |

| Cinematography by | John B. Aronson, John S. Bartley, Michael Bonvillain | Editing by | Jill D'Agnenica, Mark Conte, Mark Goldman, Christopher Nelson, Mary Jo Markey

Starring | Gugu Mbatha-Raw, Boris Kodjoe, Ben Schwartz, Gerald McRaney

Cameras | Red One MX Camera

Criminal Minds: Suspect Behavior (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Bing Sokolsky | Editing by | Casey O. Rohrs, Janet Ashikaga, Lisa Bromwell, Joseph Virzi, John Wesley Whitton

Starring | Forest Whitaker, Janeane Garofalo, Michael Kelly, Beau Garrett

Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera

The Chicago Code (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Rohn Schmidt, M. David Mullen | Editing by | Jordan Goldman, David Kaldor, Rick Tuber, Dody Dorn, Dorian Harris

Starring | Jason Clarke, Jennifer Beals, Matt Lauria, Devin Kelley

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Escape Plan (2013)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Mikael Håfström | Cinematography by | Brendan Galvin | Editing by | Elliot Greenberg

Starring | Sylvester Stallone, Arnold Schwarzenegger, 50 Cent, Vincent D'Onofrio

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

I, Frankenstein (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Stuart Beattie | Cinematography by | Ross Emery | Editing by | Marcus D'Arcy

Starring | Aaron Eckhart, Bill Nighy, Miranda Otto, Virginie Le Brun

Cameras | Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

No Ordinary Family (2010)

Television Series | 2D | Color | 1.78:1 (16x9) |

| Cinematography by | Oliver Bokelberg, Joaquin Sedillo, David Boyd | Editing by | Tirsa Hackshaw, Anthony Miller, Anthony Scott, Mark Manos, Troy Takaki, Henk Van Eeghen

Starring | Michael Chiklis, Julie Benz, Kay Panabaker, Jimmy Bennett

Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera, Weisscam Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Bones (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post

Starring | Emily Deschanel, David Boreanaz, Michaela Conlin, T.J. Thyne

Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Paranoia (2013)

Motion Picture | 2D | Color | 2.39:1 | 6 Minutes

Directed by | Cameron Alford | Cinematography by | Cameron Alford | Editing by | Cameron Alford

Starring | James Langille, Jesse Langille, Natasha Alford

Cameras | ARRI ALEXA Studio Camera

Lenses | Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Captain Phillips (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Tom Hanks, Barkhad Abdi, Barkhad Abdirahman, Catherine Keener

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

42 (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt

Starring | Chadwick Boseman, T.R. Knight, Harrison Ford, Nicole Beharie

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Scary Movie 5 (2013)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Directed by | Malcolm D. Lee, David Zucker | Cinematography by | Steven Douglas Smith | Editing by | Sam Seig

Starring | Simon Rex, Ashley Tisdale, Charlie Sheen, Lindsay Lohan

Cameras | ARRI ALEXA Camera

Noah (2014)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Russell Crowe, Jennifer Connelly, Anthony Hopkins, Emma Watson

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Lego Movie (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 100 Minutes

Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay

Starring | Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett

Cameras | ARRI ALEXA Series Cameras

Maleficent (2014)

Motion Picture | 3D | Color | 97 Minutes

Directed by | Robert Stromberg | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Richard Pearson

Starring | Angelina Jolie, Elle Fanning, Sharlto Copley, Lesley Manville

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Apocalypse According to Doris (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 99 Minutes

Apocalypse According to Doris | ShotOnWhat?

Directed by | Victor Goss | Cinematography by | Richard Walden | Editing by | Richard Mann

Starring | Jaime Gomez, Elise Robertson, Christian J. Meoli, Nicholas Downs

Cameras | Red Digital Cinema Cameras

Mojave Phone Booth (2006)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 88 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Annabeth Gish, Steve Guttenberg, Christine Elise, Tinarie van Wyk Loots

Cameras | Sony HVR-Z1U Camera

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