Digital Cinema | 1863 Titles
The Internship (2013)
Directed by | Shawn Levy | Cinematography by | Jonathan Brown | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA Plus Camera
The Purge (2013)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Peter Gvozdas
Cameras | ARRI ALEXA Plus Camera
We’re the Millers (2013)
Directed by | Rawson Marshall Thurber | Cinematography by | Barry Peterson | Editing by | Michael L. Sale
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Way Way Back (2013)
Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA Camera
The Colony (2013)
Directed by | Jeff Renfroe | Cinematography by | Pierre Gill | Editing by | Aaron Marshall
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Only God Forgives (2013)
Directed by | Nicolas Winding Refn | Cinematography by | Larry Smith | Editing by | Matthew Newman
Cameras | ARRI ALEXA Camera, Red Epic Camera
Hemlock Grove (2013)
| Cinematography by | Fernando Argüelles, John Grillo, Steven Poster | Editing by | Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
Go with God (2013)
Directed by | Frank Harriman | Cinematography by | Andrew Rodger | Editing by | Richard Martin
Cameras | Red Digital Cinema Cameras
The Conjuring (2013)
Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Lobos de Arga (2011)
Directed by | Juan Martínez Moreno | Cinematography by | Carlos Ferro | Editing by | Nacho Ruiz Capillas
Cameras | ARRIFLEX D-21 Camera
Behind Me (2013)
Directed by | Rebecca Pugh | Cinematography by | Joseph Walker | Editing by | Joseph Walker
Cameras | Red Epic Camera
Godzilla (2014)
Directed by | Gareth Edwards | Cinematography by | Seamus McGarvey | Editing by | Bob Ducsay
Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses
Summoned (2013)
Directed by | Peter Sullivan | Cinematography by | Roberto Schein | Editing by | Randy Carter
Cameras | Sony Cameras, Sony PMW-F3 Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision Ultra Speed MKII Lenses
Don’t Speak at Funerals (2012)
Directed by | Montserrat Gomez | Cinematography by | Salman Sajun | Editing by | Trevor Lareau, Zakim Nuraney
Cameras | Sony PMW-F3 Camera
Lenses | Zeiss DigiPrime Lenses
Hasta la Vista (2011)
Directed by | Geoffrey Enthoven | Cinematography by | Gerd Schelfhout | Editing by | Philippe Ravoet
Cameras | Red Digital Cinema Cameras, Red One MX Camera
Last Shift (2014)
Directed by | Anthony DiBlasi | Cinematography by | Austin F. Schmidt | Editing by | Anthony DiBlasi
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Graceland (2013)
| Cinematography by | James L. Carter, Edward J. Pei, David Moxness, Bart Tau, David Stockton, Niels Alpert | Editing by | Doug Hannah, Ivan Ladizinsky, Jon Dudkowski, Debra Beth Weinfeld, Tamara Luciano, Romain Vaunois
Cameras | ARRI ALEXA Camera
U Be Dead (2009)
Directed by | Jamie Payne | Cinematography by | Mike Southon | Editing by | Eddie Hamilton
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Hannah Arendt (2012)
Directed by | Margarethe von Trotta | Cinematography by | Caroline Champetier | Editing by | Bettina Böhler
Cameras | Red Epic Camera
Twenty Million People (2013)
Directed by | Michael Ferrell | Cinematography by | Paul Rondeau | Editing by | Chris Prine
Cameras | Red Scarlet Camera
Lenses | Zeiss Lenses
