Year Released ~ 2017 | 1692 Titles

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Transformers: The Last Knight (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1 | 154 Minutes

Directed by | Michael Bay | Cinematography by | Jonathan Sela | Editing by | Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Starring | Mark Wahlberg, Anthony Hopkins, Josh Duhamel

Cameras | ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses | ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

4 Days (2017)

Motion Picture | 2D | Color | 79 Minutes

Directed by | Michalis Giagkounidis | Cinematography by | Mihalis Gkatzogias | Editing by | Smaro Papaevangelou

Starring | Angela Boletsi, Claire Grammatiki, Dionisis Karathanasis

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon L Series Lenses

Ojalá vivas tiempos interesantes (2017)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 110 Minutes

Directed by | Santiago Van Dam | Cinematography by | Gaspar Quique Silva | Editing by | Lourdes Miere

Starring | Benjamín Rojas, Emilia Attías, Mario Alarcón

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Nikon - Nikkor Lenses

The Killing of a Sacred Deer (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Barry G. Bernson, Herb Caillouet, Bill Camp

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Hacking the Wild (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

Editing by | Andrew Kimble

Cameras | Sony PXW-FS7 Camera, Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

John Wick: Chapter 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Riccardo Scamarcio, Ian McShane

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

You Were Never Really Here (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 89 Minutes

Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini

Starring | Joaquin Phoenix, Judith Roberts, Ekaterina Samsonov

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | Rupert Sanders | Cinematography by | Jess Hall | Editing by | Billy Rich, Neil Smith

Starring | Scarlett Johansson, Pilou Asbæk, Takeshi Kitano

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Victoria & Abdul (2017)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Melanie Oliver

Starring | Judi Dench, Ali Fazal, Tim Pigott-Smith

Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

I Don’t Feel at Home in This World Anymore (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Macon Blair | Cinematography by | Larkin Seiple | Editing by | Tomas Vengris

Starring | Melanie Lynskey, Chris Doubek, Marilyn Faith Hickey

Cameras | ARRI ALEXA Mini Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Zeiss Super Speed Lenses

Beauty and the Beast (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz

Starring | Emma Watson, Dan Stevens, Luke Evans

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Girls Trip (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Regina Hall, Queen Latifah, Jada Pinkett Smith

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

It (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Andy Muschietti | Cinematography by | Chung-hoon Chung | Editing by | Jason Ballantine

Starring | Bill Skarsgård, Jaeden Martell, Finn Wolfhard

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coco (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Lee Unkrich, Adrian Molina | Editing by | Steve Bloom, Lee Unkrich

Starring | Anthony Gonzalez, Gael García Bernal, Benjamin Bratt

Suburbicon (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione

Starring | Matt Damon, Julianne Moore, Oscar Isaac

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Totem (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | Marcel Sarmiento | Cinematography by | Harry Lipnick | Editing by | Phillip Blackford

Starring | Kerris Dorsey, Ahna O'Reilly, James Tupper

All the Money in the World (2017)

Movie | 2D | 2K Project | Black & White, Color | 2.39:1 | 132 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson

Starring | Michelle Williams, Christopher Plummer, Mark Wahlberg

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Super Speed Lenses

Darkest Hour (2017)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.85:1 | 125 Minutes

Directed by | Joe Wright | Cinematography by | Bruno Delbonnel | Editing by | Valerio Bonelli

Starring | Gary Oldman, Lily James, Kristin Scott Thomas

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

Only the Brave (2017)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Billy Fox

Starring | Josh Brolin, Miles Teller, Jeff Bridges

Cameras | Sony CineAlta F65 Camera

Lenses | Fujinon Premier Lenses, Zeiss Master Prime Lenses

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