Year Released ~ 2015 | 2137 Titles
Kampen om tungtvannet (2015)
| Cinematography by | John Christian Rosenlund | Editing by | Perry Eriksen, Silje Nordseth, Martin Stoltz
Camino a La Paz (2015)
Directed by | Francisco Varone | Cinematography by | Christian Cottet | Editing by | Federico Peretti, Alberto Ponce
Cameras | Canon EOS-C500 Camera
Fathers and Daughters (2015)
Directed by | Gabriele Muccino | Cinematography by | Shane Hurlbut | Editing by | Alex Rodríguez
Cameras | Canon EOS-C500 Camera, Red Epic Camera
The Evil That Men Do (2015)
Directed by | Ramon Térmens | Cinematography by | Sergi Bartrolí | Editing by | Anna Térmens
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
The Mutineer (2017)
Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Angenieux Retrofocus 14.5 mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens
Limitless (2015)
| Cinematography by | Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela | Editing by | Christopher S. Capp, Jonathan Angus, Mark Manos, Daniel Gabbe
Terminator Genisys (2015)
Directed by | Alan Taylor | Cinematography by | Kramer Morgenthau | Editing by | Roger Barton
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Magic Mike XXL (2015)
Directed by | Gregory Jacobs | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Dragon Camera
Ted 2 (2015)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Sony CineAlta F65 Camera
Furious 7 (2015)
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
I’m Off Then (2015)
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Where Do We Go From Here? (2015)
Directed by | John McPhail | Cinematography by | Grant McPhee | Editing by | John McPhail
Cameras | Red Epic Camera
Lenses | Red Pro Prime 100 mm T1.8 Lens, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
Victoria (2015)
Directed by | Sebastian Schipper | Cinematography by | Sturla Brandth Grøvlen | Editing by | Olivia Neergaard-Holm
Cameras | Canon EOS-C300 Camera
View from a Blue Moon (2015)
Directed by | Blake Kueny | Cinematography by | Paulo Barcellos, Erik Knutson | Editing by | Kevin Thomas Barnett, Blake Kueny
Cameras | Phantom Flex4K Camera, Red Digital Cinema Cameras
Stutterer (2015)
Directed by | Benjamin Cleary | Cinematography by | Michael Paleodimos | Editing by | Benjamin Cleary
Embrace of the Serpent (2015)
Directed by | Ciro Guerra | Cinematography by | David Gallego | Editing by | Etienne Boussac
Cameras | ARRICAM Lite (LT) Camera
El desconocido (2015)
Straight Outta Compton (2015)
Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Alles wird gut (2015)
Directed by | Patrick Vollrath | Cinematography by | Sebastian Thaler | Editing by | Patrick Vollrath
Cameras | ARRI ALEXA Studio Camera
