Adobe VFX | 182 Titles
Mirror Mirror (2012)
Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Robert Duffy, Nick Moore
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
The Making Of (2009)
Directed by | Matt St. Charles | Cinematography by | Genny St. Charles-Monet | Editing by | Matt St. Charles
Cameras | Panasonic AG-HVX200 Camera
Bela Kiss: Prologue (2013)
Directed by | Lucien Förstner | Cinematography by | Sven Latzke | Editing by | Eric Kazak
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
Steen’s Revenge – Volume 1 (2012)
Directed by | Michael Naulls | Cinematography by | Michael Naulls | Editing by | Michael Naulls
Cameras | Canon EOS 550D Camera
Lenses | Canon Lenses
The Moment After II: The Awakening (2006)
Directed by | Wes Llewellyn | Cinematography by | Todd Barron | Editing by | Wes Llewellyn, Mike Wech
Cameras | Panasonic Cameras, Panasonic VariCam Camera
Lenses | Canon Lenses
The Moment After (1999)
Directed by | Wes Llewellyn | Cinematography by | Philip Hurn | Editing by | Wes Llewellyn
Cameras | Aaton Cameras
Lenses | Cooke Lenses
Bhoot Returns (2012)
Directed by | Ram Gopal Varma | Cinematography by | Siddhartha More, Harshraj Shroff, M. Ravichandran Thevar | Editing by | Aditya Joshi, Sunil Wadhwani
Cameras | GoPro HD Hero2 Camera, Sony Cameras
Hickory Never Bleeds (2012)
Directed by | Frank Ladner | Cinematography by | Frank Ladner | Editing by | Frank Ladner
Cameras | Bauer C1 Super 8 Camera, Canon EOS-7D Camera
Lenses | Asahi Pentax Super Takumar 50 mm f1.4 Lens, Canon EF 85 mm f1.4 Lens, Sigma 17-50mm f2.8 EX DC OS HSM Lens, Sigma 30mm f1.4 EX DC HSM Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
Department (2012)
Directed by | Ram Gopal Varma | Cinematography by | Siddhartha More, Sapan Narula, Zaryan Patel, Harshraj Shroff, M. Ravichandran Thevar | Editing by | Vinay Chauhan, Abhijit Kokate
Cameras | Canon Cameras, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Panasonic Cameras, Red Digital Cinema Cameras, Red One MX Camera, Weisscam Cameras, Weisscam HS-1 Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses, Zeiss Compact Prime Lenses, Zeiss Lenses
Early Birds (2012)
Directed by | Jeroen Bogaert | Cinematography by | Rik Zang | Editing by | Karel van Bellingen
Cameras | ARRI ALEXA Camera, ARRI Cameras
Lenses | Cooke Lenses
TORC – The Off-Road Championships (2012)
Urchin (2007)
Directed by | John Harlacher | Cinematography by | Luke Leonard | Editing by | Dave Buchwald
Cameras | Panasonic AG-DVX100 Camera
Down and Dangerous (2013)
Directed by | Zak Forsman | Cinematography by | Zak Forsman, Sam Krueger | Editing by | Jamie Cobb
Cameras | Panasonic AG-AF100 Camera
Reparando (2010)
Directed by | Scott Owen Moore | Cinematography by | Bobby Marko, Scott Owen Moore | Editing by | Scott Owen Moore
Sams im Glück (2012)
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Sick Boy (2012)
Directed by | Tim T. Cunningham | Cinematography by | Sean C. Cunningham
Cameras | Canon EOS-7D Camera
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Sucker Punch (2011)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy
Cameras | Panavision Cameras
