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Surround 5.1 | 115 Titles

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The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Society of the Snow (2023)

Motion Picture | 2D | 4K Project | Color | 2.55:1 | 144 Minutes

Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí

Starring | Enzo Vogrincic, Agustín Pardella, Matías Recalt

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Beau Is Afraid (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 179 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Joaquin Phoenix, Patti LuPone, Amy Ryan

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Neeras (2021)

Direct to Video, Short Film | 2D | 4K Project, UHD Project | Color | 2.39:1 | 10 Minutes

Directed by | Achyut Prashast Singh | Cinematography by | Achyut Prashast Singh | Editing by | Achyut Prashast Singh

Starring | Achyut Prashast Singh

Scattered (2020)

Short Film | 2D | 4K Project | Color | 1.85:1 | 11 Minutes

Directed by | Mike Donis | Cinematography by | Bruce William Harper | Editing by | Mike Donis

Starring | Laura Tremblay, Mike Donis, Lori-Ann Clancy

Cameras | Red Epic Camera

Pete Winning and the Pirates (2015)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis

Starring | Mike Donis, Saffron Cassaday, Sandra DaCosta, Shawn Devlin

Cameras | Canon EOS Rebel T2i Camera, Canon EOS-5D Mark II Camera, Canon EOS-5D Mark III Camera

Reto Sangriento (2016)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez

Starring | Macarena Montoya, Eleazar Gamez, Patty Corres

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens

Return of the Thumb (2018)

Motion Picture | 2D | 2K Project | Color | 2.35:1 |

Bitch Lover (2020)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 92 Minutes

Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion

Starring | Stan J. Adams, Sofia Salgado, Shayna Darice

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon Lenses, Samyang Lenses

500 Days of Summer (2009)

Motion Picture | 2D | 2K Project | Color | 95 Minutes

Directed by | Marc Webb | Cinematography by | Eric Steelberg | Editing by | Alan Edward Bell

Starring | Zooey Deschanel, Joseph Gordon-Levitt, Geoffrey Arend, Chloë Grace Moretz

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

A.I. Rising (2018)

Motion Picture | 2D | 3.4K Project | Color | 2.66:1 | 85 Minutes

Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic

Starring | Sebastian Cavazza, Stoya, Marusa Majer, Kirsty Besterman

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI Lenses

Killers Within (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham

Starring | Sue Walsh, Jeff Doyle, Johnny Elliott

Cameras | Sony PXW-FS7 Camera

Operation Portugal (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 95 Minutes

Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Stéphanie Gaurier

Starring | D'Jal, Sarah Perles, Pierre Azéma

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses

Gympl (2007)

Motion Picture | 2D | 2K Project | Color | 105 Minutes

Directed by | Tomás Vorel | Cinematography by | Marek Jicha | Editing by | Marek Jicha, Tomás Vorel

Starring | Tomás Vorel Jr., Jirí Mádl, Eva Holubová

Cameras | Sony HDW-F900R Camera

Arc de Barà (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | JC Ceinos | Cinematography by | JC Ceinos | Editing by | JC Ceinos

Starring | Trini Montoliu, Carlos Noriega, Pablo Van Der Nayar

Cameras | Canon EOS 600D Camera, Canon EOS Rebel T3i camera, Canon EOS-5D Mark II Camera, GoPro HERO4 Black

Lenses | Canon EF Series Lenses, Sigma 30mm f1.4 EX DC HSM Lens

American: The Bill Hicks Story (2009)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas

Starring | Bill Hicks, Dwight Slade, Mary Hicks, Steve Hicks

Cameras | Sony PMW-350 Camera

Lenses | Fujinon Lenses

Adjuration (2019)

Short Film | 2D | 4K Project | Color | 2.39:1 | 13 Minutes

Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco

Starring | Rossy Barranco, Daniel Pereira, Judith Batista, Pabel Núñez

Cameras | Blackmagic Pocket Cinema 4K Camera, Blackmagic Pocket Cinema Camera

Lenses | Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN Lenses

Apocalypse Now (1979)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.20:1, 2.39:1 | 147 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Starring | Martin Sheen, Marlon Brando, Robert Duvall

Cameras | ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera

Lenses | Technovision Lenses, Todd-AO Lenses

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