Stereo | 262 Titles
American Gothic (1987)
 Directed by | John Hough | Cinematography by | Harvey Harrison | Editing by | John Victor Smith 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
301, 302 (1995)
 Directed by | Cheol-su Park | Cinematography by | Eun-gil Lee | Editing by | Gok-ji Park 
 
  Cameras | ARRIFLEX 35 BL4 Camera 
Misfits (2009)
  | Cinematography by | Christopher Ross, Felix Wiedemann, Damian Bromley, David Raedeker, Adam Etherington, Tim Sidell, Simon Tindall, Jonathan Harvey, Sam Care | Editing by | Tom Hemmings, Andrew MacRitchie, Crispin Green, David Head, Robin Peters, Jake Roberts, Matthew Tabern, Robin Hill, Celia Haining, James Hughes, Richard Graham, Stephen Haren, Christopher Watson, Mark Eckersley, Kim Gaster 
 
  Cameras | Red One Camera 
Kiss of Death (1997)
 Directed by | Andrei Feher | Cinematography by | Massimo Zeri 
 
  Cameras | ARRI ARRIFLEX Series Cameras 
10,000 Black Men Named George (2002)
 Directed by | Robert Townsend | Cinematography by | Edward J. Pei | Editing by | Katina Zinner, Peter Zinner 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
All I Wanna Do (1998)
 Directed by | Sarah Kernochan | Cinematography by | Tony C. Jannelli | Editing by | Anita Brandt Burgoyne, Peter C. Frank 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
Clubbed to Death (Lola) (1996)
 Directed by | Yolande Zauberman | Cinematography by | Denis Lenoir | Editing by | François Gédigier 
 
  Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera 
  Lenses | Zeiss Lenses 
Final Approach (2005)
 Directed by | James Becket | Cinematography by | Denis Maloney | Editing by | Langdon Page 
 
  Cameras | ARRIFLEX Camera 
30,000 Leagues Under the Sea (2007)
 Directed by | Gabriel Bologna | Cinematography by | Mark Atkins | Editing by | Matthew Alson Thornbury 
 
  Cameras | Sony HDW-F900 Camera 
The Falls (2003)
 Directed by | Paul DeNigris | Cinematography by | Chris Santucci | Editing by | Paul DeNigris 
 
  Cameras | Canon XL1 Camera 
  Lenses | Canon Lenses 
2038: El futuro de ellas (2008)
 Directed by | Rubén Arnaiz | Cinematography by | Isabela T. Herrero | Editing by | Rubén Arnaiz, Andrew Dasz, Sergio Muñoz 
 
  Cameras | Canon XL2 Camera 
The Paradigm Shift (2008)
 Directed by | Jon Barr | Cinematography by | Billy Bob Thompson | Editing by | Pete Kruvczuk 
 
  Cameras | Aaton A-Minima Camera, Aaton XTR Camera 
Rättskiparen (2010)
 Directed by | Mattias Löw | Cinematography by | Orvar Anklew, Mattias Löw | Editing by | Orvar Anklew 
 
 Hell and Back Again (2011)
 Directed by | Danfung Dennis | Cinematography by | Danfung Dennis | Editing by | Fiona Otway 
 
  Cameras | Canon EOS-5D Mark II Camera 
 The GWARnage Campaign (2002)
La Vida Loca: Based on a True Story (2012)
 Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava 
 
  Cameras | Canon EOS Rebel T3i camera 
  Lenses | Canon Lenses 
…And Then She Was Gone (1991)
 Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Michael D. Ornstein 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
Hak hap (1996)
 Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka Tai Cheung, Ka-Fai Cheung, Ettie M. Feldman 
 
  Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera 
  Lenses | Angenieux Lenses, ARRI / Zeiss Lenses 
Shadowboxer (2005)
 Directed by | Lee Daniels | Cinematography by | M. David Mullen | Editing by | William Chang, Brian A. Kates  
 
 Otter 501 (2012)
 Directed by | Bob Talbot | Cinematography by | Mark Shelley | Editing by | Shirley Gutierrez 
 
  Cameras | Canon EOS-5D Mark II Camera, Cineflex V14HD Camera 
 
  
 

















































