Stereo | 262 Titles
American Gothic (1987)
Directed by | John Hough | Cinematography by | Harvey Harrison | Editing by | John Victor Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
301, 302 (1995)
Directed by | Cheol-su Park | Cinematography by | Eun-gil Lee | Editing by | Gok-ji Park
Cameras | ARRIFLEX 35 BL4 Camera
Misfits (2009)
| Cinematography by | Christopher Ross, Felix Wiedemann, Damian Bromley, David Raedeker, Adam Etherington, Tim Sidell, Simon Tindall, Jonathan Harvey, Sam Care | Editing by | Tom Hemmings, Andrew MacRitchie, Crispin Green, David Head, Robin Peters, Jake Roberts, Matthew Tabern, Robin Hill, Celia Haining, James Hughes, Richard Graham, Stephen Haren, Christopher Watson, Mark Eckersley, Kim Gaster
Cameras | Red One Camera
Kiss of Death (1997)
Directed by | Andrei Feher | Cinematography by | Massimo Zeri
Cameras | ARRI ARRIFLEX Series Cameras
10,000 Black Men Named George (2002)
Directed by | Robert Townsend | Cinematography by | Edward J. Pei | Editing by | Katina Zinner, Peter Zinner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
All I Wanna Do (1998)
Directed by | Sarah Kernochan | Cinematography by | Tony C. Jannelli | Editing by | Anita Brandt Burgoyne, Peter C. Frank
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Clubbed to Death (Lola) (1996)
Directed by | Yolande Zauberman | Cinematography by | Denis Lenoir | Editing by | François Gédigier
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | Zeiss Lenses
Final Approach (2005)
Directed by | James Becket | Cinematography by | Denis Maloney | Editing by | Langdon Page
Cameras | ARRIFLEX Camera
30,000 Leagues Under the Sea (2007)
Directed by | Gabriel Bologna | Cinematography by | Mark Atkins | Editing by | Matthew Alson Thornbury
Cameras | Sony HDW-F900 Camera
The Falls (2003)
Directed by | Paul DeNigris | Cinematography by | Chris Santucci | Editing by | Paul DeNigris
Cameras | Canon XL1 Camera
Lenses | Canon Lenses
2038: El futuro de ellas (2008)
Directed by | Rubén Arnaiz | Cinematography by | Isabela T. Herrero | Editing by | Rubén Arnaiz, Andrew Dasz, Sergio Muñoz
Cameras | Canon XL2 Camera
The Paradigm Shift (2008)
Directed by | Jon Barr | Cinematography by | Billy Bob Thompson | Editing by | Pete Kruvczuk
Cameras | Aaton A-Minima Camera, Aaton XTR Camera
Rättskiparen (2010)
Directed by | Mattias Löw | Cinematography by | Orvar Anklew, Mattias Löw | Editing by | Orvar Anklew
Hell and Back Again (2011)
Directed by | Danfung Dennis | Cinematography by | Danfung Dennis | Editing by | Fiona Otway
Cameras | Canon EOS-5D Mark II Camera
The GWARnage Campaign (2002)
La Vida Loca: Based on a True Story (2012)
Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava
Cameras | Canon EOS Rebel T3i camera
Lenses | Canon Lenses
…And Then She Was Gone (1991)
Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Michael D. Ornstein
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Hak hap (1996)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka Tai Cheung, Ka-Fai Cheung, Ettie M. Feldman
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Shadowboxer (2005)
Directed by | Lee Daniels | Cinematography by | M. David Mullen | Editing by | William Chang, Brian A. Kates
Otter 501 (2012)
Directed by | Bob Talbot | Cinematography by | Mark Shelley | Editing by | Shirley Gutierrez
Cameras | Canon EOS-5D Mark II Camera, Cineflex V14HD Camera
