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DTS | 1235 Titles

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Transporter 3 (2008)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

Transporter 3 | ShotOnWhat?

Directed by | Olivier Megaton | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Camille Delamarre, Carlo Rizzo

Starring | Jason Statham, Robert Knepper, Natalya Rudakova, François Berléand

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

25th Hour (2002)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

25th Hour | ShotOnWhat?

Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown

Starring | Edward Norton, Barry Pepper, Philip Seymour Hoffman, Rosario Dawson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

Radio (2003)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Radio | ShotOnWhat?

Directed by | Michael Tollin | Cinematography by | Don Burgess | Editing by | Chris Lebenzon, Harvey Rosenstock

Starring | Cuba Gooding Jr., Ed Harris, Debra Winger, S. Epatha Merkerson

Cameras | Panavision Cameras

Men in Black (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Donald Peterman | Editing by | Jim Miller

Starring | Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Sherlock Holmes: A Game of Shadows (2011)

Motion Picture | 2D | Color | 2.35:1 | 129 Minutes

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert

Starring | Robert Downey Jr., Jude Law, Jared Harris, Rachel McAdams

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Anamorphic Lenses

A Simple Plan (1998)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn

Starring | Bill Paxton, Billy Bob Thornton, Bridget Fonda, Brent Briscoe

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Tuck Everlasting (2002)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Tuck Everlasting | ShotOnWhat?

Directed by | Jay Russell | Cinematography by | James L. Carter | Editing by | Jay Cassidy

Starring | Alexis Bledel, Jonathan Jackson, Sissy Spacek, William Hurt

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kangaroo Jack (2003)

Motion Picture | 2D | Color | 2.35:1 | 89 Minutes

Kangaroo Jack | ShotOnWhat?

Directed by | David McNally | Cinematography by | Peter Menzies Jr. | Editing by | William Goldenberg, Jim May, John Murray

Starring | Anthony Anderson, Jerry O'Connell, Estella Warren, Christopher Walken

Cameras | Panavision Cameras

Evolution (2001)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Evolution | ShotOnWhat?

Directed by | Ivan Reitman | Cinematography by | Michael Chapman | Editing by | Wendy Greene Bricmont, Sheldon Kahn

Starring | David Duchovny, Orlando Jones, Julianne Moore, Seann William Scott

Cameras | Panavision Cameras

Days of Glory (2006)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 120 Minutes

Directed by | Rachid Bouchareb | Cinematography by | Patrick Blossier | Editing by | Yannick Kergoat

Starring | Samy Naceri, Roschdy Zem, Sami Bouajila, Jamel Debbouze

Lenses | Hawk Anamorphic Lenses

Rock Star (2001)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Rock Star | ShotOnWhat?

Directed by | Stephen Herek | Cinematography by | Ueli Steiger | Editing by | Trudy Ship

Starring | Mark Wahlberg, Jennifer Aniston, Dominic West, Jason Bonham

Cameras | Panavision Cameras

Breaking and Entering (2006)

Motion Picture | 2D | Color | 2.35:1 | 120 Minutes

Breaking and Entering | ShotOnWhat?

Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning

Starring | Jude Law, Robin Wright, Vera Farmiga, Martin Freeman

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Ultra Prime Lenses

Babe (1995)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Babe | ShotOnWhat?

Directed by | Chris Noonan | Cinematography by | Andrew Lesnie | Editing by | Marcus D'Arcy, Jay Friedkin

Starring | James Cromwell, Magda Szubanski, Christine Cavanaugh, Miriam Margolyes

Cameras | Panavision Cameras

Bait (2000)

Motion Picture | 2D | Color | 2.35:1 | 119 Minutes

Bait | ShotOnWhat?

Directed by | Antoine Fuqua | Cinematography by | Tobias A. Schliessler | Editing by | Alan Edward Bell

Starring | Jamie Foxx, David Morse, Robert Pastorelli, Doug Hutchison

Cameras | Panavision Cameras

Corky Romano (2001)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Corky Romano | ShotOnWhat?

Directed by | Rob Pritts | Cinematography by | Steven Bernstein | Editing by | Alan Cody

Starring | Chris Kattan, Peter Falk, Vinessa Shaw, Peter Berg

Cameras | Panavision Cameras

Pirates of the Caribbean: Dead Man’s Chest (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Jack Davenport

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Master of Disguise (2002)

Motion Picture | 2D | Color | 1.85:1 | 80 Minutes

The Master of Disguise | ShotOnWhat?

Directed by | Perry Andelin Blake | Cinematography by | Peter Lyons Collister | Editing by | Peck Prior, Sandy S. Solowitz

Starring | Dana Carvey, Jennifer Esposito, Harold Gould, James Brolin

Cameras | Panavision Cameras

The Flintstones (1994)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.37:1, 1.85:1 | 91 Minutes

The Flintstones | ShotOnWhat?

Directed by | Brian Levant | Cinematography by | Dean Cundey | Editing by | Kent Beyda

Starring | John Goodman, Rick Moranis, Rosie O'Donnell, Halle Berry

Cameras | Panavision Cameras

Road to Perdition (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock

Starring | Tom Hanks, Tyler Hoechlin, Rob Maxey, Liam Aiken

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Like Crazy (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 86 Minutes

Like Crazy | ShotOnWhat?

Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts

Starring | Felicity Jones, Anton Yelchin, Jennifer Lawrence, Charlie Bewley

Cameras | Canon EOS-7D Camera

Lenses | Zeiss Ultra Prime Lenses

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