DTS | 1235 Titles
Dodgeball: A True Underdog Story (2004)
Directed by | Rawson Marshall Thurber | Cinematography by | Jerzy Zielinski | Editing by | Alan Baumgarten, Peter Teschner
Cameras | Panavision Cameras
De-Lovely (2004)
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Garfield (2004)
Directed by | Peter Hewitt | Cinematography by | Dean Cundey | Editing by | Peter E. Berger, Michael A. Stevenson
Cameras | Panavision Cameras
Jonah Hex (2010)
Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Dilemma (2011)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Monsieur N. (2003)
Directed by | Antoine de Caunes | Cinematography by | Pierre Aïm | Editing by | Joële Van Effenterre
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
North Country (2005)
Directed by | Niki Caro | Cinematography by | Chris Menges | Editing by | David Coulson
Cameras | Panavision Panaflex Millennium XL Camera
The Mexican (2001)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Craig Wood
Cameras | Panavision Cameras
Miracle (2004)
Directed by | Gavin O'Connor | Cinematography by | Dan Stoloff | Editing by | John Gilroy, Daric Loo
Cameras | Panavision Cameras
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
The Holiday (2006)
Directed by | Nancy Meyers | Cinematography by | Dean Cundey | Editing by | Joe Hutshing
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Largo Winch II (2011)
Eraser (1996)
Broken Arrow (1996)
Directed by | John Woo | Cinematography by | Peter Levy | Editing by | Joe Hutshing, Steve Mirkovich, John Wright
Cameras | Panavision Cameras
Mesrine Part 1: Killer Instinct (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Hervé Schneid
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera
Judy Moody and the Not Bummer Summer (2011)
The Lizzie McGuire Movie (2003)
Directed by | Jim Fall | Cinematography by | Jerzy Zielinski | Editing by | Margaret Goodspeed
Cameras | Panavision Cameras
Jing mo gaa ting (2005)
