DTS | 1235 Titles
The Hangover Part III (2013)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher
2012 (2009)
Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot
Cameras | Panavision Cameras, Panavision Genesis Camera
The Incredible Burt Wonderstone (2013)
Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
White House Down (2013)
Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Adam Wolfe
Cameras | ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera
Admission (2013)
Directed by | Paul Weitz | Cinematography by | Declan Quinn | Editing by | Joan Sobel
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Call (2013)
Directed by | Brad Anderson | Cinematography by | Thomas Yatsko | Editing by | Avi Youabian
Cameras | ARRI ALEXA Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses
Temptation: Confessions of a Marriage Counselor (2013)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
The Mortal Instruments: City of Bones (2013)
Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody
Elysium (2013)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith
Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Great Gatsby (2013)
Directed by | Baz Luhrmann | Cinematography by | Simon Duggan | Editing by | Jason Ballantine, Jonathan Redmond, Matt Villa
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
Now You See Me (2013)
Directed by | Louis Leterrier | Cinematography by | Mitchell Amundsen, Larry Fong | Editing by | Robert Leighton, Vincent Tabaillon
Despicable Me 2 (2013)
Pain & Gain (2013)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron
Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Side Effects (2013)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Camera
Jack the Giant Slayer (2013)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman
21 & Over (2013)
Directed by | Jon Lucas, Scott Moore | Cinematography by | Terry Stacey | Editing by | John Refoua
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Dark Skies (2013)
Directed by | Scott Stewart | Cinematography by | David Boyd | Editing by | Peter Gvozdas
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Identity Thief (2013)
Directed by | Seth Gordon | Cinematography by | Javier Aguirresarobe | Editing by | Peter Teschner
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Warm Bodies (2013)
Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson
Stand Up Guys (2012)
Directed by | Fisher Stevens | Cinematography by | Michael Grady | Editing by | Mark Livolsi
Cameras | Red Epic Camera