Dolby SR | 179 Titles
The Getaway (1994)
Directed by | Roger Donaldson | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Date Night (2010)
Directed by | Shawn Levy | Cinematography by | Dean Semler | Editing by | Dean Zimmerman
Cameras | Panavision Genesis Camera
Waterworld (1995)
Directed by | Kevin Reynolds | Cinematography by | Dean Semler | Editing by | Peter Boyle
Cameras | Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera
Goodfellas (1990)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Lenses
The Silence of the Lambs (1991)
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Craig McKay
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Accountant (2001)
Directed by | Ray McKinnon | Cinematography by | Blake B. Jackson | Editing by | Joan Sobel
Cameras | Panavision Cameras
Lenses | Panavision Lenses
My Big Fat Greek Wedding (2002)
Directed by | Joel Zwick | Cinematography by | Jeffrey Jur | Editing by | Mia Goldman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Box of Moon Light (1996)
Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
The Barbarian Invasions (2003)
Directed by | Denys Arcand | Cinematography by | Guy Dufaux | Editing by | Isabelle Dedieu
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Addams Family (1991)
Directed by | Barry Sonnenfeld | Cinematography by | Owen Roizman | Editing by | Dede Allen, Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Days of Thunder (1990)
Directed by | Tony Scott | Cinematography by | Ward Russell | Editing by | Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Army of One (1993)
Directed by | Vic Armstrong | Cinematography by | Daniel L. Turrett | Editing by | Paul Morton
Cameras | Todd-AO CineSpace 70 Camera
Amateur (1994)
Directed by | Hal Hartley | Cinematography by | Michael Spiller | Editing by | Steve Hamilton
Cameras | Panavision Panaflex Gold Camera
The Apostle (1997)
Directed by | Robert Duvall | Cinematography by | Barry Markowitz | Editing by | Stephen Mack
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Andre (1994)
Directed by | George Miller | Cinematography by | Thomas Burstyn | Editing by | Harry Hitner, Patrick Kennedy
Cameras | ARRIFLEX 535 Camera
Lenses | Clairmont Anamorphic Lenses
Maadadayo (1993)
Directed by | Akira Kurosawa | Cinematography by | Takao Saitô, Shôji Ueda | Editing by | Akira Kurosawa, Ishirô Honda
Cameras | ARRIFLEX 535 Camera
Mo’ Better Blues (1990)
Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Super Speed Lenses
Problem of Evil (2013)
Directed by | Ethan Kogan, Jessica Silvetti | Cinematography by | Ethan Kogan, Jessica Silvetti | Editing by | Ethan Kogan
Cameras | Canon EOS 550D Camera
I Love You, Man (2009)
Directed by | John Hamburg | Cinematography by | Lawrence Sher | Editing by | William Kerr
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera