Dolby SR | 187 Titles
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
A Decade Under the Influence (2003)
Directed by | Ted Demme, Richard LaGravenese | Cinematography by | Tony C. Jannelli, Clyde W. Smith | Editing by | Meg Reticker
Cameras | Sony HDW-F900 Camera
Point Break (1991)
Directed by | Kathryn Bigelow | Cinematography by | Donald Peterman | Editing by | Howard E. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Few Best Men (2011)
Directed by | Stephan Elliott | Cinematography by | Stephen F. Windon | Editing by | Sue Blainey
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Ridicule (1996)
Comes a Bright Day (2012)
Directed by | Simon Aboud | Cinematography by | John Lynch | Editing by | Gavin Buckley
Cameras | ARRI ALEXA Camera
Kalifornia (1993)
Directed by | Dominic Sena | Cinematography by | Bojan Bazelli | Editing by | Martin Hunter
Cameras | ARRI Cameras
Hot Shots! (1991)
Directed by | Jim Abrahams | Cinematography by | Bill Butler | Editing by | Jane Kurson, Eric A. Sears
1492: Conquest of Paradise (1992)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman
J.S.A.: Joint Security Area (2000)
Directed by | Chan-wook Park | Cinematography by | Sung-Bok Kim | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Triumph of the Spirit (1989)
Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn
A League of Their Own (1992)
Directed by | Penny Marshall | Cinematography by | Miroslav Ondrícek | Editing by | Adam Bernardi, George Bowers
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Rain Man (1988) 
Directed by | Barry Levinson | Cinematography by | John Seale | Editing by | Stu Linder
Cameras | Panavision Panaflex Camera
27 Missing Kisses (2000)
Directed by | Nana Dzhordzhadze | Cinematography by | Phedon Papamichael | Editing by | Vessela Martschewski
Cameras | Moviecam Cameras
Action Jackson (1988)
Directed by | Craig R. Baxley | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich
Cameras | Ultracam 35 Camera
Harley Davidson and the Marlboro Man (1991)
Directed by | Simon Wincer | Cinematography by | David Eggby | Editing by | Corky Ehlers
Cameras | Panavision Cameras
Die Hard 2 (1990)
Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Solar Crisis (1990)
Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor
Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Boys on the Side (1995)
Directed by | Herbert Ross | Cinematography by | Donald E. Thorin | Editing by | Michael R. Miller
Cameras | Panavision Cameras
DragonHeart (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
