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Fantastic Beasts and Where to Find Them (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day

Starring | Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan Fogler

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Bohemian Rhapsody (2018)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 2.39:1 | 134 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman

Starring | Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Vice (2018)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin

Starring | Christian Bale, Amy Adams, Steve Carell, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Andhadhun (2018)

Movie | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Sriram Raghavan | Cinematography by | K.U. Mohanan | Editing by | Pooja Ladha Surti

Starring | Ayushmann Khurrana, Tabu, Radhika Apte, Anil Dhawan

Cameras | ARRI ALEXA Camera

Mary Poppins Returns (2018)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith

Starring | Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

Hands of Stone (2016)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Jonathan Jakubowicz | Cinematography by | M.I. Littin-Menz | Editing by | Ethan Maniquis

Starring | Edgar Ramírez, Usher Raymond, Robert De Niro, Rubén Blades

Cameras | ARRI ALEXA Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Sausage Party (2016)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 89 Minutes

Directed by | Greg Tiernan, Conrad Vernon | Editing by | Kevin Pavlovic

Starring | Seth Rogen, Kristen Wiig, Jonah Hill, Alistair Abell

Finding Dory (2016)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 97 Minutes

Directed by | Andrew Stanton, Angus MacLane | Cinematography by | Jeremy Lasky | Editing by | Axel Geddes

Starring | Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson

Ghostbusters (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1, 2.39:1 | 116 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

Cameras | ARRI ALEXA XT Camera

Lenses | Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Ice Age: Collision Course (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 94 Minutes

Directed by | Mike Thurmeier, Galen T. Chu | Cinematography by | Renato Falcão | Editing by | Erin Crackel, James Palumbo

Starring | Ray Romano, Denis Leary, John Leguizamo, Chris Wedge

The Secret Life of Pets (2016)

Motion Picture | 3D | Color | 1.85:1 | 87 Minutes

Directed by | Chris Renaud, Yarrow Cheney | Editing by | Ken Schretzmann

Starring | Louis C.K., Eric Stonestreet, Kevin Hart, Lake Bell

Star Trek Beyond (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Starring | Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Suicide Squad (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 123 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy

Starring | Will Smith, Jared Leto, Margot Robbie, Viola Davis

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Guardians of the Galaxy Vol. 2 (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 136 Minutes

Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Fred Raskin, Craig Wood

Starring | Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel

Cameras | Red Weapon Dragon Camera

Lenses | Panavision Primo 70 Lenses

The Legend of Tarzan (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark Day

Starring | Alexander Skarsgård, Rory J. Saper, Christian Stevens, Christoph Waltz

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Eddie the Eagle (2015)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Martin Walsh

Starring | Taron Egerton, Hugh Jackman, Tom Costello, Jo Hartley

Cameras | ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Kung Fu Panda 3 (2016)

Motion Picture | 3D | Color | 2.39:1 | 95 Minutes

Directed by | Alessandro Carloni, Jennifer Yuh Nelson | Editing by | Clare Knight

Starring | Jack Black, Bryan Cranston, Dustin Hoffman, Angelina Jolie

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