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4-Track Stereo | 47 Titles

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1941 (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 118 Minutes

Directed by | Steven Spielberg | Cinematography by | William A. Fraker | Editing by | Michael Kahn

Starring | John Belushi, Dan Aykroyd, Treat Williams

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision C Series Anamorphic Lenses

The Abyss (1989)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Starring | Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester

Cameras | ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Star Wars: Episode VI – Return of the Jedi (1983)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 131 Minutes

Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

You Only Live Twice (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 117 Minutes

Directed by | Lewis Gilbert | Cinematography by | Freddie Young | Editing by | Thelma Connell

Starring | Sean Connery, Akiko Wakabayashi, Mie Hama

Cameras | Mitchell BNC Camera

Lenses | Panavision C Series Anamorphic Lenses

The Spy Who Loved Me (1977)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 125 Minutes

Directed by | Lewis Gilbert | Cinematography by | Claude Renoir | Editing by | John Glen

Starring | Roger Moore, Barbara Bach, Curd Jürgens

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

On Her Majesty’s Secret Service (1969)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 142 Minutes

Directed by | Peter R. Hunt | Cinematography by | Michael Reed | Editing by | John Glen

Starring | George Lazenby, Diana Rigg, Telly Savalas

Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses

Gift from Above (2021)

Short | 2D | 4K Project | Color | 2.39:1 | 5 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan | Editing by | James Newhook

Starring | Hollie Barrett, Marcus J. Smith, Keith Bonnell

Cameras | Blackmagic Production 4K Camera

Lady at Number 16 (2022)

Short Film | 2D | 4K Project | Black & White | 1.78:1 (16x9) | 9 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook

Starring | Gavin J. Snow, James Squires, Ashley Dingwell

Cameras | Blackmagic URSA Camera

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Star Wars: Episode V – The Empire Strikes Back (1980)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 124 Minutes

Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Ryan’s Daughter (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 206 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Robert Mitchum, Trevor Howard, John Mills, Christopher Jones

Cameras | Super Panavision-70 Camera

Lenses | Panavision Lenses

Cleopatra (1963)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 192 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams

Starring | Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

The Graduate (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 106 Minutes

Directed by | Mike Nichols | Cinematography by | Robert Surtees | Editing by | Sam O'Steen

Starring | Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels

Cameras | ARRIFLEX 35 IIC Camera, Panavision Silent Reflex PSR Camera

Lenses | Angenieux Lenses, Panavision B Series Anamorphic Lenses

The Towering Inferno (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 165 Minutes

Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress

Starring | Paul Newman, Steve McQueen, William Holden, Faye Dunaway

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Around the World in Eighty Days (1956)

Motion Picture | 2D | Film Project | Color | 1.37:1, 2.20:1 | 175 Minutes

Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax

Starring | David Niven, Cantinflas, Finlay Currie

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Troubling Youth (2019)

Short Film | 2D | HD Project | Color | 2.39:1 |

Directed by | Caleb Nsingi | Cinematography by | Nicolas Gagnon | Editing by | Caleb Nsingi

Starring | Alex Belke, Isabella DeBrienne, Ricardo Grand-Pierre

Cameras | Nikon Cameras

Lenses | Nikon - Nikkor Lenses

American: The Bill Hicks Story (2009)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas

Starring | Bill Hicks, Dwight Slade, Mary Hicks, Steve Hicks

Cameras | Sony PMW-350 Camera

Lenses | Fujinon Lenses

Lawrence of Arabia (1962)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 216 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates

Starring | Peter O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins

Cameras | Super Panavision-70 Camera

Lenses | Panavision Super Panavision 70 Series Lenses

Ice Station Zebra (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 148 Minutes

Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster

Starring | Rock Hudson, Ernest Borgnine, Patrick McGoohan, Jim Brown

Cameras | Super Panavision-70 Camera

Song of Norway (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 138 Minutes

Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone

Starring | Florence Henderson, Toralv Maurstad, Christina Schollin, Frank Porretta

Cameras | Super Panavision-70 Camera

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